Read the Tape Op interview with Annie Clark
Watch the video for "Broken Man"
Via the Village Voice and meta-via Brooklyn Vegan comes the tragic news that the NYC recording studio operated by Daptone Records was burgled last night, with a remarkable amount of main brain Gabe Roth's vintage gear lost. Even...
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.] It’s a really smart idea to have a couple of fire...
Part One - by Larry Crane 1/13/04It's been snowing and frozen here in Portland for a week - not something this town is used to. Many businesses were shut down and traffic wasn't moving, even though it wasn't that much snow. I feel dumb as my town...
We interviewed Loma in Tape Op issue #148 and spoke with members Dan Duszynski, Emily Cross, and Jonathan Meiburg about their recording process. Emily also did the cover art for that issue, and Jonathan is also a member of Shearwater and a Tape...
This past September, I attended the inaugural A3Exchange in Boston and had one of the most enjoyable conference experiences in years. A small team of forward thinkers, under the leadership of Paul Sitar, is putting together an "exchange" for...
Everyone has been talking about Dave Grohl's new documentary Sound City a lot lately. That's cool; it's a fun romp of a movie, even if Dave can't decide whether he's making a film about a Neve console, a dying studio, a rock star jam session or an...
Some Maybe Not-So-Obvious Items Every Studio Needs In the past we've run a few columns about items every studio should have, like Sharpie pens and masking tape, but here I decided to look around me and think about all the items that aren't...
James Beaudreau is a former member of the Billy Nayer Show (1998-2003) and started Workbench Recordings - a netlabel, blog, and recording studio in NYC. They release one track every Tuesday along with artwork and texts about the creative process,...
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
