Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more traditional sounding tracks "Takoba" and "Imajighen", the album pushes the Toureg blues/rock genre into new territory, both sonically and musically. Funeral for Justice was produced by Mikey Coltun, who also plays bass in the band, and the album was mastered by Heba Kadry.
By Justin Douglas
When you hear a particularly moving piece of music, and you get that little chill that runs from the top of your scalp down your spine, that’s a specific network in your brain logging that music into your memory....
Part One - by Larry Crane
1/13/04It's been snowing and frozen here in Portland for a week - not something this town is used to. Many businesses were shut down and traffic wasn't moving, even though it wasn't that much snow. I feel dumb as my town...
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB
It’s hard to imagine a music software company...
Here is a list of some of the books on recording and music that we have added to the reading (or re-reading!) queue recently.
Are We Still Rolling?by Phill BrownGreat studio session stories about The Rolling Stones, Talk Talk, Hendrix, Led...
April 15th marks the 25th anniversary of Tape Op Magazine! To mark the occasion, Tape Op founder and editor Larry Crane is making a series of short videos talking about the journey of the mag and some of the memories had along the...
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...