Check out this interview with our own Larry Crane in Spanish language audio magazine Audioforo!
Read it HERE
Check out this interview with our own Larry Crane in Spanish language audio magazine Audioforo!
Read it HERE
2020. What a year. Since very few of who reading this will have recently relocated from a nearby galaxy I won't get into the specifics, but we all know what kind of year it was and many of us are glad it's almost gone. It certainly will not be...
On May 31st, 2022 we lost synthesis pioneer Dave Smith. Tape Op contributor Alex Maiolo wrote this lovey tribute to remember him by.-GS Don Buchla, Robert Moog, Tom Oberheim, Delia Derbyshire, Peter Zinovieff, Roger Linn, Hiroaki Nishijima,...
During one of the many calls I have on a regular basis with my musician and audio professional friends, it dawned on me what a priveldge these conversations are and thought it might be a good idea to share them with a larger audience as a way to take...
Ivan Anderson reviewed the Red Panda BitMap 2 pedal in the latest issue of Tape Op, but he also makes great and highly entertaining videos for many of his reviews. Enjoy!
Vinnie Castaldo was in the new issue of Tape Op. Check out his reviews of his two fave educational DVDs. -LC Trust Your Ears: The Drum Tech Explorations of Jeff Ocheltree If you’re like me, always getting stuck tuning drums before a session,...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
THE GREAT BRITISH RECORDING STUDIOS Howard Massey, an excellent author and recording engineer, is putting together what should be an important book on the British record studio scene of the sixites and seventies. If you were involved in this...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
Eric Liljestrand remembers his friend and working partner Hal Willner Hal and I spent countless hours, days, weeks, months in dark rooms all over creating some of the most original albums and film scores the world will ever hear. A solid third of...