Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
It's no secret that we are serious Pink Floyd fans here at Tape Op. We have interviewed Floyd drummer Nick Mason, producer/engineers John Wood, Bob Ezrin, Alan Parsons, John Leckie, Youth, and Joe Boyd, and, of course, the band's...
Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special...
Rochester, NY’s The Chesterfield Kings have been leading their own garage rock revival since the late ‘70s. The new LP, We're Still All The Same, was recorded at Fab Gear Studios in Rochester, NY, and produced by Ed Stasium (Tape Op...
I've pulled together a collection of recent thoughts I've had about the recording process. You can agree or not agree. The important thing is to use your ears, mind, and creativity to make great recordings.
Recording equipment...
I just received the first promo cassette in a long time from Odessa Records' Shit Horse. Alright! Wait, what year is it? Fucking A. I have a cassette player in the basement, and I could go down there, grab it, plug it all in and give this a...
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold?
I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
The worldwide COVID-19 situation is affecting us all at this moment. Years ago I was a gigging musician and restaurant worker, and I feel I essentially still live a gig economy life - depending on Tape Op and studio bookings for personal income....