interviews

We talk at length with record-makers about how they make records.

Jan. 11, 2023  |  No. 153

Don Lewis 1941-2022

by Ian Brennan

As an electronic instrument pioneer, and one of the designers of the Roland TR-808 drum machine, Don Lewis had an irreversible impact on the trajectory and sound of popular music. On November 6th,...

Jan. 11, 2023  |  No. 153

Herb Deutsch, 1932-2022

by Alex Maiolo

I’m sure a lot of you are asking “who was Herb Deutsch and what does he have to do with rock ‘n’ roll?” The short answer is sometimes it’s the people behind the...

Nov. 15, 2022  |  No. 152

John Plymale: No Right or Wrong Way

by Larry Crane

Years ago, I met John Plymale at one of our TapeOpCon events. He currently lives in Norfolk, Virginia, and has helmed amazing projects including the Squirrel Nut Zippers, Superchunk, and the Meat...

Nov. 15, 2022  |  No. 152

Metric

by Roman Sokal

For over 20 years, the Toronto, Canada-based intellectual alternative pop/rock group Metric have been perking up listener’s ears with daring and blissfully created music. Fronted by...

Nov. 15, 2022  |  No. 152

Clarke Rigsby: A Varied Career

by Larry Crane

A longtime staple of the Phoenix recording scene, Clarke Rigsby runs Tempest Recording out of a modest-looking but impressively outfitted space behind his home in Tempe, Arizona. He’s worked...

Nov. 15, 2022  |  No. 152

Xenia Rubinos: Regaining Spirit

by Geoff Stanfield

Xenia Rubinos could just as easily be on a bill with Flying Lotus and The Boredoms as she could with Erykah Badu and Esperanza Spalding [Tape Op #147]. Her unique genre-mixing of soul, punk, jazz,...

Nov. 15, 2022  |  No. 152

Gaelynn Lea Tressler

by Ian Brennan

Gaelynn Lea is one of the most original musicians and songwriters working today. She also happens, by chance, to be a wheelchair user. Incredibly prolific, she has released three solo albums, as well...

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