Interviews » tape-op-buyers-guide-1

Tape Op Buyer's Guide for Home Studio or Small Office Set-Up

Here at Tape Op, we frequently hear the question, especially from musicians starting to record themselves, "What gear should I buy?" I have a small set up in my home office that I use for editing and working on arrangements but it's equally adept at recording overdubs or a basic guitar and vocal performance. -JB

UA Apollo Twin Duo

ADAM AUDIO T8V

Regardless of what DAW or computer you're using, the heart of any home studio is your audio interface. I'm a big fan of the UA Apollo Twin Duo series because these units have everything I need in a small studio setup: monitoring control, headphones, gtr/hi-z input, mic inputs, line inputs and line outputs. The key thing for me about the Apollo is that is has four outputs. This allows me to use the extra two outputs to process tracks through external analog gear like effects and my Eurorack rig. I also appreciate the hi-z guitar input on the front of the unit, so if I need to do a quick guitar overdub, I can track through one of the UA amp simulators into my DAW. And, I love the UAD plug-in platform and I use a lot of their plug-ins on a regular basis, but the Lexicon 224 reverb is worth buying into the platform alone. It stands next to my real EMT140 plate and AKG BX10 spring reverbs as one of my three main reverbs.

Buy from Sweetwater Buy from Vintage King Buy from Reverb

Audio-Technica ATH-M50

Monitors

I have a very small pair of Tascam VL M3 monitors that I use on my desk, but also recently picked up a pair of ADAM T8V monitors for my home set up. I love the ADAM monitors and their folded ribbon tweeters. I've been using their P22As at Panoramic House as our main monitors for over a decade now.

Audio-Technica 4050

Buy Adam T8V's from Sweetwater Buy Adam T8V's from Vintage King Buy Adam T8V's from Reverb

Headphones

CME XKey

I love my Audio-Technica ATH M-50's. They're comfortable, I can wear them for extended periods of time and can hear a lot of detail on them. Sure, you can spend a small fortune on headphones these days but you don't have to.

Buy ATH-M50 from Sweetwater Buy ATH-M50 from Vintage King Buy ATH-M50 from Reverb

Soundtoys Rack

Microphones

It's hard to go wrong with a Shure SM-58 right? You probably already have one and if you don't go out and get one now, they're only $99 and you can use them on everything and anything. Supposedly all of Bono's vocals on the U2 records were tracked with an SM-58. But if you want to step it up a bit, then buy the best Audio-Technica mic you can afford. Every mic they make sounds great and I'm not just saying that. I own half a dozen of their mics and they all get used all the time. For lead vocals you just can't beat their 4050. I once tracked a female vocalist for an album at three different high end studios and used various tube vocal mics each costing at least $5000 each on the vocals. Then we had to re-track one song at my little home studio and we used the 4050 and we both thought it actually sounded a little better on her voice than the various $5000+ mics. Their ATM230PK drum mics sound amazing. Every engineer I've turned on to them agrees that they sound better than that industry standard mic that looks like a sci-fi movie ray gun prop. And their Pro 37-R is one of the best small diaphragm condenser mics made for under $1000 and they're only $300 for a pair. They sound great on acoustic guitars and drum overheads. Finally if you really want to round out your mic locker a little bit and step it up even further, get a Royer R121 ribbon mic. It's one of the few newer mic designs that has become a classic. Their more affordable R10 also sounds great.

FabFilter Pro-Q 3

Buy From Sweetwater (Audio-Technica, Royer R121) Buy from Vintage King (Audio-Technica, Royer R121) Buy from Reverb (Audio-Technica, Royer R121)

Keyboard

Arturia V Collection

I've tried a lot of different keyboard controllers but I keep coming back to my CME XKey controller for most uses. I also have several Arturia controllers that I like the pitch bend and mod wheels better on, but for most keyboard parts I love the feel and compact footprint of the CME. Buy CME XKey from Sweetwater Buy CME XKey from Reverb

Plug-Ins

ART Pro VLA-II

As I mentioned I love the UA plugs, but I also use the Eventide, SoundToys and FabFilter stuff a lot. Crystalizer from SoundToys is great and their EchoBoy Jr. is my go-to delay plug in. I love all the time based Eventide effects in Anthology both the classic emulations and the newer ones ported from the H9 algorithms, and the FabFilter Pro Q3 EQ has become my go-to EQ.

Buy from Sweetwater (Soundtoys, FabFilter, Eventide) Buy from Vintage King (Soundtoys, FabFilter, Eventide) Buy from Reverb (Soundtoys, FabFilter, Eventide)

Retro Instruments Powerstrip

Arturia V Series

For virtual instruments, there's no better bang for your buck than the Arturia V Collection. They have all the standard keyboard instruments like organs, and electric pianos and their synth VIs are vast and amazing sounding. I wrote about their Piano V in Tape Op #127 and it's my go to for realistic piano sounds when I can't get to a real piano.

Buy from Sweetwater Buy From Vintage King Buy From Reverb

ART PRO VLA This is the best $300 compressor ever made and it's stereo so you can use it on your buss or as two individual channels. It's an optical compressor with a tube output stage and we've reviewed both versions of it here and here. And if you do the Revive Audio Mod, I'd go as far as saying this is the best tube stereo optical compressor under $2000.

Buy From Sweetwater Buy From Reverb

Retro PowerStrip

And finally if you really want to step things up a bit, the Retro PowerStrip is not cheap, but it's a bargain for what you get in it: A tube mic pre, an EMI RS-124 type compressor and a Pultec style EQ. This is the ultimate lead vocal channel in my opinion. I have a real Pultec EQ and a Fairchild 660 compressor but I've had to redo mixes that I used that gear on using the PowerStrip and the PowerStrip sounds just as good and maybe even a bit better depending on the vocalist on the track.

Buy From Sweetwater Buy From Vintage King Buy From Reverb

MORE INTERVIEWS

Jeff Zeigler
INTERVIEWS · ISSUE #171 · Jan 2026

Jeff Zeigler

By Dash Lewis

You’re likely already familiar with Jeff Zeigler’s résumé. He’s produced and engineered records by Kurt Vile, The War on Drugs [Tape Op#102], Laraaji [#141], Chris Forsyth, Nothing, Mary Lattimore [#158], and the list goes on. In recent years, he has taken new creative leaps, shifting his...

Emily A. Sprague
INTERVIEWS · ISSUE #171 · Jan 2026

Emily A. Sprague “I want to share music that shows how real life sounds.”

By John Baccigaluppi

Emily A. Sprague may be best known as the primary songwriter and vocalist for the band Florist, who have released five albums since 2016. But she also composes and records ambient-adjacent electronic music, primarily using modular synthesizers, and is about to release her fourth instrumental...

Jim-E Stack
INTERVIEWS · ISSUE #171 · Jan 2026

Jim-E Stack

By Larry Crane

In 2025, Jim-E Stack (born James Harmon Stack) had three big releases out – Bon Iver's SABLE, fABLE, Lorde's Virgin, and Aminé's 13 Months of Sunshine – that he'd worked on as a producer and co-writer. Living in L.A., he's also worked with Charli XCX, Empress Of,...

Pete Min
INTERVIEWS · ISSUE #171 · Jan 2026

Pete Min Getting Out of Your Own Way

By Larry Crane

Located in (yes) a former meat market, Pete Min calls Lucy's Meat Market in Eagle Rock, Los Angeles, his two room recording studio and home. Artists such as Meshell Ndegeocello, Real Estate, Lake Street Dive, Orville Peck, Chris Dave, The Monkees and others have used his engineering...

Outer Marker Records
INTERVIEWS · ISSUE #171 · Jan 2026

Outer Marker Records

By Larry Crane

With the goal of releasing records recorded at the highest fidelity with minimal processing, Doug Fearn and brothers George and Geoff Hazelrigg began Outer Marker Records a few years ago, using DSD (Direct Stream Digital) recorders as opposed to the more typical PCM (Pulse Code Modulation)...

Liz Pelly
INTERVIEWS · ISSUE #171 · Jan 2026

Liz Pelly Music Streaming: Helping People Think Less

By John Baccigaluppi

Liz Pelly is the author of the book, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist. It's a well written and well researched book, and a fun read even though the subject is pretty dark. Spotify, and music streaming in general, have changed not only how we listen...