David J

Interviews

Robin Ashley

Interviews

Tuned Mic'ing

Interviews

Tony Green

Interviews

MORE FROM THIS ISSUE

JULY 16, 2025 INTERVIEWS
Allen Sides

Allen Sides: Ocean Way & Beyond

Ocean Way Recording began in a garage in Santa Monica, California, in 1968, as a place to showcase owner Allen Side's custom monitors. From these humble beginnings the empire expanded to include partnering with Bill Putnam and acquiring his United Recording Studio in Hollywood, and building state of the art recording facilities in Nashville, St. Barths, and nearby Sherman Oaks. The Ocean Way "brand" also includes Allen's high-end (and excellent sounding) monitors, a unique and affordable microphone, excellent UAD plug-ins, drum samples, and even an iPad/iPhone app. Allen is also well known for being a meticulous engineer/producer, having worked with such artists as Phil Collins, Green Day, Eric Clapton, Faith Hill, Wynonna Judd, Beck, Mary J. Blige, Ry Cooder, Joni Mitchell, Frank Sinatra, Ray Charles, John Williams, Jerry Goldsmith, André Previn, Michael Jackson, and Frank Zappa. He's also well known for leading the charge on reclaiming classic tube mics and gear that was being abandoned in the '80s; he has probably listened to, and evaluated, more microphones than most of us ever will. Not long ago Allen sold Ocean Way Recording in Hollywood, where we met for this interview, and it has now reverted back to the original United Recording name.

JULY 16, 2025 INTERVIEWS
Allen Sides (bonus)

Allen Sides (bonus): Ocean Way & Beyond

Ocean Way Recording began in a garage in Santa Monica, California, in 1968, as a place to showcase owner Allen Side's custom monitors. From these humble beginnings the empire expanded to include partnering with Bill Putnam and acquiring his United Recording Studio in Hollywood, and building state of the art recording facilities in Nashville, St. Barths, and nearby Sherman Oaks. The Ocean Way "brand" also includes Allen's high-end (and excellent sounding) monitors, a unique and affordable microphone, excellent UAD plug-ins, drum samples, and even an iPad/iPhone app. Allen is also well known for being a meticulous engineer/producer, having worked with such artists as Phil Collins, Green Day, Eric Clapton, Faith Hill, Wynonna Judd, Beck, Mary J. Blige, Ry Cooder, Joni Mitchell, Frank Sinatra, Ray Charles, John Williams, Jerry Goldsmith, André Previn, Michael Jackson, and Frank Zappa. He's also well known for leading the charge on reclaiming classic tube mics and gear that was being abandoned in the '80s; he has probably listened to, and evaluated, more microphones than most of us ever will. Not long ago Allen sold Ocean Way Recording in Hollywood, where we met for this interview, and it has now reverted back to the original United Recording name.

JULY 16, 2025 INTERVIEWS
David J (bonus)

David J (bonus): Love and Rockets & Bauhaus

I caught up with David J. Haskins, a member of the influential bands Bauhaus and Love and Rockets, during a book tour for his new memoir, Who Killed Mr. Moonlight?URLhttp://www.davidjonline.com Besides spending numerous years in the studio as an artist, David has also acted as a producer for Jazz Butcher, Renata Youngblood, Intra-Venus & the Cosmonauts, Vinsantos, Darwin, and Stellarum. His most recent solo album,URLhttp://davidjofficial.bandcamp.com/album/an-eclipse-of-ships-2, came out in 2014, and was recorded with Tony Green.

JULY 16, 2025 INTERVIEWS
Tony Green (bonus)

Tony Green (bonus): Garage Jazz & David J

When I was setting up our interview with musician/producer David J, he asked if I had any interest in speaking with Tony Green, the engineer/recordist for his last few albums. I was going to be in the Los Angeles area soon, so I agreed to drop by Tony's modest, yet awesome, home studio, Ear Gallery Music Studio. Set next to his home, and perched on the edge of a ravine, the location is a peaceful change from the hectic pace of L.A.

COLUMNS

END RANT
Gear Geeking #106
GEAR GEEKING

GEAR REVIEWS

Gear Reviews

6030 Ultimate Compressor plug-in

by 6030 Ultimate Compressor plug-in  |  reviewed by Tony SanFilippo

I think it's pretty ballsy to call something "Ultimate," but having relied on this plug-in for over a year, I do agree with the name. McDSP was one of the companies that early Pro Tools adopters clung onto, because they were making plug-ins that worked well and had a sound. Before I gave in to the...

Gear Reviews

BC1-S stereo compressor

by BC1-S stereo compressor  |  reviewed by Geoff Stanfield

If you are new to the technique of mix bus compression, the simple explanation is that you are compressing the entire stereo (or multichannel) mix. A compressor on the mix bus (in addition perhaps to dynamics processors on individual tracks or sub-grouped stems) can "glue" a mix together. Some...

Gear Reviews

CLA-2A & CLA-76 compressor/limiter plug-ins

by CLA-2A & CLA-76 compressor/limiter plug-ins  |  reviewed by Geoff Stanfield

"Hardware versus plug-in? Hardware versus plug-in?" Wring hands. Repeat. In the early days of digital emulations of classic pieces of hardware, the argument could easily be made that the digital side of things was simply not on par with the original hardware. Now it is a much more balanced argument...

Gear Reviews

D84 large-diaphragm condenser mic

by D84 large-diaphragm condenser mic  |  reviewed by Larry Crane

When I gave a Project Studio Expo presentation in October 2014 at the Audio Engineering Society convention in L.A., my topic was "Where to focus on your studio gear when purchasing with a limited budget." What I basically did was tell people to buy mics. Think about it — of all the audio and...

Gear Reviews

Magic AB plug-in

by Magic AB plug-in  |  reviewed by Dave Cerminara

Magic AB is an easy-to-use and extremely practical plug-in that allows mixers (and mastering engineers) to quickly compare their mixes to commercial references. By inserting the plug-in post-master bus processing, a mixer can quickly A/B reference mixes to their own. I'd heard from a few friends...

Gear Reviews

Manley Variable Mu plug-in for UAD-2 & Apollo

by Manley Variable Mu plug-in for UAD-2 & Apollo  |  reviewed by Garrett Haines

The Variable Mu Limiter Compressor from Manley Laboratories has been an industry standard for decades. ("Variable Mu" is even a registered trademark of Manley.) Inspired by the famous tube limiters from Fairchild and Gates, the Variable Mu employs a "remote cut-off" compression scheme. In...

Gear Reviews

MC-3+ Smart Clock

by MC-3+ Smart Clock  |  reviewed by Allen Farmelo, Matthew Agoglia, Alex DeTurk

Master clocks are a near necessity if you own multiple digital audio devices that are interconnected. Sure, you can forgo a master clock and just chain one digital device to the next, each synchronized to the device before it, but doing so raises the possibility of introducing jitter — instability...

Gear Reviews

MicroBrute analog synthesizer

by MicroBrute analog synthesizer

Here is Arturia's affordable and highly desirable analog synth, the MicroBrute. The little brother to their MiniBrute synth, the monophonic MicroBrute has a new modulation matrix with control-voltage I/O patching options, an excellent filter section (with external inputs), MIDI input, plus MIDI...

Gear Reviews

Quad Pro Thunder computer

by Quad Pro Thunder computer  |  reviewed by Garrett Haines

I've written it before, and I'll say it again. If you want to purchase a Windows PC for professional audio work, you should have a professional audio integrator build your computer. The requirements of real-time media production can raise issues in the cross-compatibility of PC components, even...

Gear Reviews

SDD-3000 Pedal digital delay

by SDD-3000 Pedal digital delay  |  reviewed by John Baccigaluppi

If every DAW in existence ships with several free delay plug- ins, why is Soundtoys EchoBoy one of the best-selling plug-ins on the market? Moreover, why would you want to spend your hard-earned cash on a hardware digital delay? I guess the answer is that people care about delay-based effects. And...

Gear Reviews

Seville active ribbon mic

by Seville active ribbon mic  |  reviewed by Andy Hong

At first glance, the Seville looks like an RCA Type 77 series mic that's been meticulously restored, recrafted, and repainted by a team on one of the various auto-shop reality TV shows. It has the same form factor as the revered RCA mics, and it's indeed a ribbon mic, but unlike the classic RCAs,...

Gear Reviews

The Big Trees tube amp & processor

by The Big Trees tube amp & processor  |  reviewed by Al Lawson

Is it an amp or a pedal... or a DI... or outboard gear?!? The Big Trees really is all things to all people. Having used the Audio Kitchen Little Chopper guitar amp [Tape Op #82] a lot in the studio, I know Audio Kitchen's sound and attention to detail well. When I heard about The Big Trees, I had...

Gear Reviews

V+ & Vocoder 5000 virtual instruments

by V+ & Vocoder 5000 virtual instruments  |  reviewed by John Baccigaluppi

Reviewing the Roland VT-3 Voice Transformer [Tape Op #105], an effects unit that includes simple vocoder-like presets, really had me yearning for a device that could do true carrier/modulator vocoding. My earliest exposure to a vocoder was when my buddy Ray Elzey brought his Moog Vocoder into the...

Gear Reviews

W2395c 500-series EQ

by W2395c 500-series EQ

The W2395c is Roger Schult's second foray into the world of 500-series equalizer modules. His first design, the W2377, was essentially a repackaging of his mastering EQ, but in an unsurprising turn of events, engineers came back asking for something with more attitude. The marketing copy describes...