Unknown Mortal Orchestra

Interviews

More Dialogue with Manny Marroquin

Interviews

Pierre de Reeder

Interviews

Jacco Gardner

Interviews

Ishmael Butler & Erik Blood

Interviews

Michael Bishop

Interviews

MORE FROM THIS ISSUE

JULY 16, 2025 INTERVIEWS
Focusrite Frankenstein

Focusrite Frankenstein: Billy Perez and IIWII Studios

Billy Perez is the manager of IIWII Studios ("It Is What It Is," part of the SST Production Facility) in Weehawken, New Jersey. Their already rare Focusrite console at IIWII was thought to be a goner when it was found soaking in five feet of saltwater after Hurricane Sandy struck. Billy explains why John Hanti, the studio's owner, decided to invest two years into the restoration of this unique console, what makes it unique, and how it fits into IIWII's vision.

JULY 16, 2025 INTERVIEWS
Glyn Johns

Glyn Johns: Rolling Stones, The Who, Led Zeppelin, Faces

Any of us who record rock music are likely aware of Glyn Johns. His legacy in the recording studio spans many years, and includes some of the best bands ever. In the sixties he tracked seminal British Invasion works for the Rolling Stones, The Who, Small Faces, The Creation, and The Kinks. He even worked with The Beatles near the end of their career. Over the following years he produced and engineered Led Zeppelin, The Eagles, Bob Dylan, The Clash, Green on Red, Nanci Griffith, Belly, and Midnight Oil. Recent works include Band of Horses, Benmont Tench, Ryan Adams, Patty Griffin, and an upcoming Eric Clapton album. Glyn Johns is the sound of a large portion of rock radio, as well as most of our record collections. In his recent book, Sound Man, he recaps the highlights and adventures over the years, in the studio and on the road. We visited Glyn at his beautiful home in the country south of London, and met a gracious host happy to give us a tour of the gardens and a few hours of his time. I'd interviewed his son, Ethan Johns, in 2005; Glyn and I began talking about him, as Ethan had just been by the day before.

JULY 16, 2025 INTERVIEWS
Manny Marroquin

Manny Marroquin: Rihanna, Kanye West, John Legend

Turn on the radio; you know, the one that's playing the hit songs of today. It won't be long before you hear something mixed by Manny Marroquin. With his touch gracing truckloads of top ten and number one songs, plus over 250 million albums sold worldwide, we've all heard his work. Artists like Bruno Mars, Whitney Houston, 2Pac, fun., Pink, John Mayer, Shakira, Maroon 5, Rihanna, Ludacris, the Rolling Stones, Duffy, Mary Mary, Kanye West, Imagine Dragons, Lana Del Rey, Alicia Keys, and John Legend have all benefited from his skills. I met up with Manny at Mix With The Masters, a weeklong seminar hosted by various recording luminaries in the French countryside of Provence. I was able to watch him lead the workshop for most of the day and picked up some cool techniques before our "live" interview. It was great to catch Manny in an "educational" mood, and the resulting chat was a blast.

JULY 16, 2025 INTERVIEWS
Todd Tobias

Todd Tobias: Guided by Voices, Rough Treatment, and Circus Devils

With his work on numerous projects, Ohio musician, engineer, and producer Todd Tobias has been quietly demonstrating his skills in all three roles for over a decade, many of which have involved indie-rock legends Guided by Voices and their prolific frontman, Robert Pollard. His clear, powerful recordings of GBV and Pollard allowed them to transcend their original "lo-fi" pigeonhole, while still avoiding overproduction. Todd's talent for experimental sound-sculpting is evident from his own musical pursuits, which include Circus Devils (a studio project with Pollard on vocals), and Brother Earth, as well as solo releases. Operating from his studio, Waterloo Sound (originally in Kent, Ohio, and currently near Cleveland in Brecksville), Tobias has also engineered and produced albums for George Griggs, Kramies, The Library is on Fire, and many others.

COLUMNS

Negative Creeping
END RANT
Until the Studio Tech Arrives, YOU Are the Studio Tech
GEAR GEEKING

GEAR REVIEWS

Gear Reviews

Micro Clock MkIII

by Micro Clock MkIII  |  reviewed by Allen Farmelo

I've writing about clocks in Tape Op for close to ten years now, and I can sum up my opinion on the often-ridiculously-touchy subject like this: Clocks matter. They make a difference in sound; and like any other piece of kit, one must use one's ears when integrating digital clocks into studio...

Gear Reviews

Mini K47 condenser mic

by Mini K47 condenser mic  |  reviewed by Tony SanFilippo

I received an email from Matt McGlynn of RecordingHacks.com, asking if I'd like to try the mic his new company was releasing. I am never going to say "No" to a new mic. A week or so later, a pair of Roswell Mini K47 mics arrived. Each mic came well packaged with a padded pouch and a hard stand...

Gear Reviews

MIYO portable USB DAC/ADC & headphone amp

by MIYO portable USB DAC/ADC & headphone amp  |  reviewed by Allen Farmelo

At this point in history, there is simply no good reason that people aren't getting excellent sound out of their computers. It's obscene and absurd that computers don't come equipped with capable converters, clocks, line amps, and headphone amps; and it's even worse that so many people willingly...

Gear Reviews

MPDI-4 mic preamp/DI

by MPDI-4 mic preamp/DI  |  reviewed by Dana Gumbiner

UnderTone Audio (UTA) is a relative newcomer to the world of boutique gear, the brainchild of producer/engineer Eric Valentine and electronic designer Larry Jasper, both mad geniuses in their own right. Eric has made a variety of amazing-sounding records (for Queens of the Stone Age, Slash,...

Gear Reviews

N8 active ribbon mic

by N8 active ribbon mic  |  reviewed by Chris Koltay

One of the many things I love about owning a studio and making records is the bonding we do with our clients during the intense collaborations we call record-making. I've been extremely fortunate because most all of these have turned into long-lasting friendships. Lately, due to this Tape Op gig,...

Gear Reviews

Ottobit 500-series bitrate effects processor

by Ottobit 500-series bitrate effects processor  |  reviewed by Geoff Stanfield

Moving in calculated rhythmic movements, I peeked up over the edge of the small, rooftop retaining wall. For days, I had been on the run, moving only at night and staying well-hidden during daylight hours. The landscape was familiar, but only from a distant youthful memory. Flashbacks to being in a...

Gear Reviews

Pepper instrument interface & router

by Pepper instrument interface & router  |  reviewed by Eli Crews

As a longtime fan of Jonathan Little's inventive, essential studio tools, I was eager to get the Pepper, his newest little box, cooking. It's hard to sum up succinctly exactly what the Pepper is, since it has so many uses in various stages of the performing, recording, and mixing processes, but...

Gear Reviews

Real Reverb D

by Real Reverb D  |  reviewed by Larry Crane

Back in 2001, I reviewed the Demeter RV-1 Real Spring Reverb. I'm a big fan of electromechanical, non-digital, spatial effects — plates, springs, tape delays, and bucket-brigade delays rule my mixes — and the RV-1 was a winner with me, ending up with a permanent place in my rack and a presence on...

Gear Reviews

Stinger mic & instrument preamp

by Stinger mic & instrument preamp  |  reviewed by Scott McChane

Though I can't remember ever having used any Aurora Audio gear, I have heard of Geoff Tanner, the brilliant tech who left Neve to pursue his own Class A preamp designs. Fellow friend and engineer Craig Liviach, while outfitting his crazy and formidable home studio, recently purchased a 10-channel...

Gear Reviews

Sub8 active subwoofer

by Sub8 active subwoofer  |  reviewed by Scott McChane

Here at Tape Op, we've covered several of ADAM Audio's fine products, so I won't go on about introducing the company again. I will, however, remind you what they're known for: the employment and further development of physicist Oskar Heil's Air Motion Transformer (AMT), which is often referred to...

Gear Reviews

The Rock MkII active monitors

by The Rock MkII active monitors  |  reviewed by Geoff Stanfield

Studio reference monitors. There is no definitive design or one size that fits all. Level of listening experience, room size/shape, speaker location, two-way, three-way, coaxial, ribbon, paper, aluminum, ported, sealed, shape of your ear, cables, type of amp, and on and on and on — all have bearing...