ISSUE ARCHIVE
NO. 171 | Nov 2025
NO. 170 | Sep 2025
NO. 169 | Sep 2025
NO. 168 | Jul 2025
NO. 167 | May 2025
NO. 166 | Mar 2025
NO. 165 | Jan 2025
NO. 164 | Nov 2024
Jul/Aug 2024
Ever since the dawn of the DAW [digital audio workstation] and digital recording, people far too often have equated recording music mainly with the tracks getting captured and, later, the assembling of a mix. But this is only one aspect of making a recording. Most of what I find myself doing in the studio is completely removed from the actual technical recording process.
These actions can include the initial conversations with the artists (as noted in the End Rant this issue), changing out guitars and/or amps, modifying amplifier settings, discussing exact parts played, changing drum patterns, removing sections of a song, looking for keyboard patches, swapping stompboxes, trying out different drums and cymbals, changing instrument strings, removing amp hum, mapping out song structures, deciding on BPMs, moving players around in a room, and much more.
Sure, we should hit record eventually, but remember that in many cases most of what makes a record awesome happens BEFORE the tracks get captured. Making music is so much more than simply looking at a computer screen.
The Council for Scientific and Industrial Research Automatic Computer (CSIRAC) was one of the world's first digital computers. (photo: Museums Victoria)
— LARRY CRANE,EDITOR & FOUNDER
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