J.D. Foster

Interviews

Ken Andrews

Interviews

Roger McGuinn

Interviews

Jeff Lipton

Interviews

Mixerman

Interviews

The Yohimbe Bros.

Interviews

MORE FROM THIS ISSUE

JULY 19, 2025 INTERVIEWS
Fletcher

Fletcher: Behind the Gear with Mercenary Audio

In pro audio circles and throughout the vast realm of the internet, Fletcher is a ubiquitous and highly vocal presence. Always quick with commentary and an endless font of knowledge regarding even the most obscure pieces of gear, he is also the owner of MercenaryAudio, a purveyor of high-end boutique pro audio gear. In addition to selling his wares, Fletcher has also been involved in the design and tweaking of several pieces with various gear designers of note.

JULY 19, 2025 INTERVIEWS
Buddy Miller

Buddy Miller: One of Nashville's Finest

Buddy Miller lives and records in an old bungalow on a shady street in Nashville, TN. In rooms lined with guitars and stacked floor to ceiling with recording gear, he makes some of the best music currently coming out of Nashville. Buddy and his wife, Julie Miller, write and record their own material, inviting friends like Emmylou Harris, Steve Earle, and Jim Lauderdale to join in. Buddy's busy schedule includes touring with Emmylou, (most recently for the Down From The Mountain tour) and touring to promote his and Julie's albums, including the Grammy-nominated release from Hightone Records, Buddy and Julie Miller. When not on the road or recording his own music, Buddy has found time to produce albums for Ms. Harris, Jimmy Dale Gilmore, Vigilantes of Love, and Greg Trooper, among others. Some of the many artists whose records boast his performances include Lucinda Williams, Jim Lauderdale, and Patty Griffin — his and Julie's songs also have been recorded by mainstream country artists like the Dixie Chicks, Lee Anne Womack, and Brooks & Dunn, breathing vitality into a format-driven genre. Deeply anchored in hard country/roots music, the honesty, grit and integrity of Buddy's music stands out in his writing, performance, and recording. In the midst of recording his new solo album, Midnight and Lonesome, Buddy took some time out to talk about his approach to making records.

JULY 19, 2025 INTERVIEWS
David First

David First: Microtones and Notekillers

I initially encountered David First performing a composition of his microtonal drones called "My Veil Evades Detection; My Veil Defies Exhaustion; My Veil and I Divorce" at an old rec room called Cuando on New York's Lower East Side. The piece's dense, slowly evolving microtonal drones are typical of the work that has earned him respect in New York's avant-garde music community. While First is best-known today for these drone based compositions, in the past, he has played guitar — in one of Cecil Taylor's large ensembles at a legendary Carnegie Hall concert and with former Television guitarist Richard Lloyd [Tape Op #56]. Ecstatic Peace will soon release a CD compiling the work of the Notekillers, his late-'70s punk-era band. "It's always been a weird pendulum swing with me, from totally noncommercial extended sound-oriented things to song- oriented things." He brought his experience recording and playing so many styles of music to his new pop album, Universary, most of which he recorded himself at home.

JULY 19, 2025 INTERVIEWS
Howard Johnson

Howard Johnson: Pro and Home Studio thoughts

Howard Johnston is the co-owner and chief engineer of Different Fur Studio, tucked away in the once ignored, now ultra hip dot-com Inner Mission of San Francisco. In business for over 25 years, Howard has worked with a dizzying array of musicians including The Residents, Stevie Wonder, James Taylor, Bill Frisell, Brian Eno [Tape Op #85] and David Byrne [#79] (on My Life In The Bush Of Ghosts), Devo, Stan Getz, Herbie Hancock (on the classic Headhunters), Too $hort, Sir Douglas Quintet and Snakefinger. He's even done movie soundtracks, including Apocalypse Now. We talked to Howard between afternoon and evening sessions on a hot Friday, discussing when to offer the benefit of one's experience, "best time" and avoiding dinosaur-hood.

COLUMNS

Paint by Numbers
END RANT

GEAR REVIEWS

Gear Reviews

02R96 Digital Mixing Console

by 02R96 Digital Mixing Console  |  reviewed by Scott Colburn

It's the functionality of this console that makes it so special. The original 02R was a groundbreaking digital console that came to market at a price point that was hard to pass up. It was this workhorse of a console that made its way into the post world and became a standard console for those...

Gear Reviews

BX8 Reference Monitors

by BX8 Reference Monitors  |  reviewed by Mike Caffrey

The BX8's are low-cost, self-powered monitors with an 8'' woofer and a 1'' silk-dome tweeter. Each monitor has two 65 watt amplifiers, one per driver. The rear panel features four switches (Acoustic Space, High Freq, Mid-Range, Low Cutoff) that allow you to tailor the sound of the monitor to your...

Gear Reviews

C42 MP cardioid condenser mics

by C42 MP cardioid condenser mics  |  reviewed by Brian Lucey

I borrowed a friend's Josephson C42's and am having a hard time returning them. I like a small-diaphragm mic with extended, smooth highs and good detail, full midrange, and lows without any boom or big bumps. This mic does all that. Overheads are exactly what I was looking for and acoustic guitars...

Gear Reviews

CRW-F1 CD-R/RW drive

by CRW-F1 CD-R/RW drive  |  reviewed by Rich Hardesty

Now that writable and rewritable DVD's are all the rage right now, not a lot of excitement can be drummed up for new and decidedly better CD-R/RW recorders. However, Yamaha has pulled a neat trick with their newest generation of drives-the CRW-F1 series-and indeed it should get some of us excited....

Gear Reviews

Dangerous Monitor

by Dangerous Monitor  |  reviewed by Larry DeVivo

I've been asking for a high-quality monitoring system like the Dangerous Monitor ever since I started mastering some seven years ago. Many mastering engineers have custom-manufactured desks or modified Neumann desks, but these are quite expensive (typically $10,000- $50,000). Other mastering...

Gear Reviews

Ela-M 251 microphone

by Ela-M 251 microphone  |  reviewed by Kirt Shearer

I've been waiting for many years for someone to accurately recreate the legendary Telefunken 251 microphone. I've had several conversations wondering why this had never been done, with of course no comprehension of the massive research, design, and capital-sucking experimentation involved with...

Gear Reviews

GRAMMA isolation platform

by GRAMMA isolation platform  |  reviewed by Andy Hong

My brother and I recently built a "real" recording studio to replace my home studio. As a cost-savings measure, we chose not to float the floors; but we did spend the big bucks on well-built walls, acoustic doors & windows, and dedicated HVAC. Successful? Mostly. We shaved approximately $50,000...

Gear Reviews

HFI-650 LE

by HFI-650 LE  |  reviewed by Andy Hong

Ohmygosh. The first time I switched back to "regular" headphones after listening to Ultrasone headphones exclusively for a week, I was completely underwhelmed by the "small" and "constrained" sound of regular headphones. With Ultrasone's patented S-Logic Natural Surround Sound system, the music has...

Gear Reviews

Ineko stereo effects processor

by Ineko stereo effects processor  |  reviewed by Bohus Blahut

The Ineko is a hand-sized unit packed with 48 effects. Three knobs and three buttons make up the control surface. Available effects are printed on the unit, so you can toss the manual. The effect that you choose determines the function of the three knobs which permits real-time adjustments of the...

Gear Reviews

M300 Dual Engine Effects Processor

by M300 Dual Engine Effects Processor  |  reviewed by Larry Crane

I'd been keeping my eye on reviews and comments on the M300 for a while after its introduction, as I needed more effects for my increasingly ridiculous mixdown sessions. When T.C. lowered the street price to $200, I had to bite. One of the features that really enticed me was that this unit has no...

Gear Reviews

M-3 TubeTracker Mixer

by M-3 TubeTracker Mixer  |  reviewed by Scott Craggs

The M-3 is an 8-channel mixer clearly aimed at DAW users as a tube front/back end for those cold, hard computers. Many people seem to have issues with digital mix busses, and the M-3 is one of several new products that offer DAW users an alternative to mixing in the box. Basically, you have eight...

Gear Reviews

ML52 Ribbon Microphone

by ML52 Ribbon Microphone  |  reviewed by Chris Garges

Ribbon microphones have gained considerable popularity in the past few years. Unfortunately, the fact remains that although the availability of new, inexpensive condenser mics has grown, the availability of new, inexpensive ribbon mics has not. The new Oktava ML52 sparked my interest since I had...

Gear Reviews

MobileI/O2882FireWireInterface

by MobileI/O2882FireWireInterface  |  reviewed by John Baccigaluppi

There are tons of interfaces available for transferring audio to and from your computer, and it can be hard to tell them apart as many of them have similar features. After having used the Mobile I/O 2882, or MIO, as we affectionately call it around the studio, for the past six months or so, I not...

Gear Reviews

Nano Head tube amplifier

by Nano Head tube amplifier  |  reviewed by Craig Schumacher

By now, most of us have seen the products made by Zachary Vex of the Z.Vex Company. Z.Vex pedals are incredibly cool in both design and function. Every time I go to the good music store here in Tucson, I go look at what new boutique pedals have come out. Since I already own an Ooh Wah, I am...

Gear Reviews

OctoPre 8-channel mic preamp

by OctoPre 8-channel mic preamp  |  reviewed by Tom Eaton

Focusrite's take on the 8-channel mic preamp, the Platinum Series OctoPre, has everything one would expect in an outboard mic preamp, including good sonic performance, a clean user interface, and a slew of features. Focusrite has added a dynamics section and line inputs to the mix, as well as...

Gear Reviews

PBP-362 Litepipe Patch Bay

by PBP-362 Litepipe Patch Bay  |  reviewed by Eddie Ciletti

The digital revolution did not eliminate the need for analog patch bays, nor did it simplify wiring or routing. No matter how modest your rig, a few different flavors of digital and analog interconnects will be required, plus a few flava-morphing boxes to allow all devices to communicate. The Hosa...

Gear Reviews

PODXT

by PODXT  |  reviewed by Scott Wyatt

Well, now the question becomes, "Do I sell my entire guitar rig that I spent years building and lugging around?" After a few moments with the new Line 6 PODXT I was on my way to my favorite pawn shop. Once again Line 6 has improved on its cutting edge guitar technology. As an owner and fan since...

Gear Reviews

SAC-2.2 Controller

by SAC-2.2 Controller  |  reviewed by David Huber

It seems that control surfaces for use with digital audio workstations are the current darling of the hardware industry. There's a good reason for this-they give your computer a tactile, mouseless feel that harkens back to the analog days, while offering the cost-effective appeal of cutting-edge...

Gear Reviews

SM54

by SM54  |  reviewed by Steve Silverstein

While Electro-Voice has established a reputation for building reduced proximity-effect dynamic microphones, Shure's sole entry in the field has disappeared from production and also from public awareness. I first learned of the Shure SM53, and its companion SM54 with its larger pop filter, from...

Gear Reviews

Super-X Pro CX2310 Crossover

by Super-X Pro CX2310 Crossover  |  reviewed by Larry Crane

About one hundred issues ago (#10, actually), we ran an interview with Dan Rathbun of Polymorph Recording who discussed at length his technique of using crossovers to split signals into two or three frequency groups in order to EQ, compress and set levels with more control. I'd always kept this...

Gear Reviews

TW100 Tension Watch

by TW100 Tension Watch  |  reviewed by Scott Craggs

I will gleefully hack away at most any instrument in front of me, but I'll always be a drummer at heart. Drums are just the most fun. And after years of moving microphones and flipping phase buttons I kinda feel like I know how to record them. But I can't tune them to save my life. I mean, I...

Gear Reviews

Ultra-Curve Pro DSP8024 Digital EQ

by Ultra-Curve Pro DSP8024 Digital EQ  |  reviewed by Larry Crane

For years, I've been wanting a dedicated real time analyzer (RTA) in my studio. An RTA is a device that will display the amplitude of frequencies across the audible spectrum, thus allowing the engineer to see where frequency peaks occur. This will tell you if a mix is too bass heavy, if a kick drum...

Gear Reviews

V69 Mogami Tube Microphone

by V69 Mogami Tube Microphone  |  reviewed by Pete Weiss

The MXL V69 Mogami Edition is the latest in a parade of low-priced tube condenser mics on the market today. MXL's parent company, Marshall Electronics, has been the North American distributor for Mogami cable for over 30 years; and in the V69 Mogami Edition, all of the inner wiring, as well as the...