Mark Trombino

Interviews

Chad Clark

Interviews

Brian Deck

Interviews

Tom Erbe

Interviews

Michael Ivins

Interviews

Ian Catt

Interviews

MORE FROM THIS ISSUE

JULY 19, 2025 INTERVIEWS
Out Of The Studio

Out Of The Studio: the Thick Oil comp and Metro Mobile Truck

Recently I visited an oil factory on Chicago's South Side, the site for a cool project that started with the idea of recording 18 bands in 18 days. To accomplish this, Billy Spunke of Thick Records was able to find and book 18 of Chicago's best rock, garage and punk bands, despite highway noise, factory work and tour schedules. Employing the services of engineer Lance Reynolds and several photographers, the project has grown into a multimedia event. I first met up with Lance to discuss the project.

JULY 19, 2025 INTERVIEWS
Timothy Powell

Timothy Powell: Metro Mobile

Timothy Powell of Metro Mobile Recording has been a music and gear fanatic his whole life. Walking into his main recording truck, M-48, is proof enough of that. I was amazed not only at the collection of outboard compressors, EQs and pres, but was also struck by the feel of it. When the door is shut you'd swear you were in a control room in some studio somewhere. There's no kitchen, no pool table and no video game console, but there is a comfortable area for the engineer and a nice couch and chairs in the back for clients or other guests. There's acoustic treatment on the walls, and the aforementioned racks of gear, more than I've seen in some studios! Once the door opens and you're back outside, it's just a large, nondescript white truck parked under the street level, next to the river. Wherever they have a gig, the trucks just roll up next to the venue in the alley or a side street — or, in this case, on the service level of Dearborn Street — plug into the venue's power and FOH console and do their thing. Metro Mobile has two full-timers, including Tim, and a "posse" of freelancers who take care of the recordings. Tim was kind enough to speak with me just before Thanksgiving at the House of Blues in Chicago.

COLUMNS

Beware of the “Moneymaker”
END RANT

GEAR REVIEWS

Gear Reviews

24 I/O interface

by 24 I/O interface  |  reviewed by John Baccigaluppi

This is the perfect PCI/ASIO based audio interface for all of us studio owners looking for a high quality, versatile, yet simple, audio interface for a full sized music recording studio. It's best asset? 24 inputs and outputs at 96k/24 bit in one rack space. Put simply, this will either replace...

Gear Reviews

3310 limiter modules

by 3310 limiter modules  |  reviewed by Chris Garges

A couple years ago, I bought a pair of Neve 3310 limiter modules from hi-fi guru Early Bender-Worth (www.hifitown.com). I wasn't familiar with these particular modules, but I figured that if I didn't like them I could sell them without taking a hit, thanks to the Neve name alone. I have a special...

Gear Reviews

C2s Compressor

by C2s Compressor  |  reviewed by Mark Owen

During my time as an engineer I have used some of the world's finest compressors, and at the same time, I've heard some of the worst. Having grown up in a studio, pretty much my whole life, I've been afforded the ability to become discriminating about gear, especially compressors. With that said, I...

Gear Reviews

Dominion

by Dominion  |  reviewed by Chris Anderson

Two members of Digitalfishphones' collection of freeware audio plug-ins, Blockfish and Dominion, have become my first choice for certain dynamics-shaping applications "in-the-box," standing up to both high-end software such as Waves' Renaissance Compressor and VST stomp-boxes like CamelPhat....

Gear Reviews

FET Compressor II

by FET Compressor II  |  reviewed by Craig Schumacher

Geoff Daking gets it. With the new Daking FET Compressor II, Geoff has created an instant classic. Those who are familiar with other Daking products will find the same attention to audio craftsmanship with this latest design. I was fortunate enough to be able to use this unit on two different mix...

Gear Reviews

Freeport acoustic panel

by Freeport acoustic panel  |  reviewed by Andy Hong

I've been outfitting my new studio with various acoustic treatments for the past eight months or so. In my "live" room, I've tried hard to spec out treatments that are easy to mount, unmount, move, and swap, with the goal of an acoustic signature that I change easily. I had a contractor who...

Gear Reviews

JDV Mk3 Direct Box

by JDV Mk3 Direct Box  |  reviewed by Pete Weiss

DI boxes. We all rely on them to record electric instruments directly and to perform impedence matching chores. They've never been known as the most glamorous piece of studio gear, but they're surely necessary, and every studio worth its salt has at least one decent DI in its utility drawer. Well,...

Gear Reviews

PlatFoam

by PlatFoam  |  reviewed by Andy Hong

In Issue #34, I wrote about my studio's lack of floating floors, and how the Auralex GRAMMA isolation platform reduced the amount of bass-amp rumble escaping the main room. I also noted that the GRAMMA had an immediate and very discernable effect on the "tightness" of the sound coming from the bass...

Gear Reviews

Pro Tools 6 for MacOS X

by Pro Tools 6 for MacOS X  |  reviewed by John Keane

This article is partially excerpted from the introduction to A Musician's Guide to Pro Tools, Book Two, which is a continuation of A Musician's Guide to Pro Tools Book One. It was adapted by me to serve as a sort of review of Pro Tools 6. In view of the fact that upgrading to Pro Tools 6 entails a...

Gear Reviews

RealTraps bass traps

by RealTraps bass traps  |  reviewed by Andy Hong

Ethan Winer is a name you may recognize. He's been a published author of audio-related articles since the 70s, and he's a regular contributor to many of the online forums. In 1995, he wrote an article for Electronic Musician that detailed how to build an affordable, low- volume bass trap that...

Gear Reviews

SM7 microphone

by SM7 microphone  |  reviewed by Drew Townson

"No, not the Shure SM57," I said to the young clerk at the mega guitar market, "I need an SM-SEVEN." " Dude," he replied. "There's no such thing. You mean a FIFTY-SEVEN." At that point, luckily, I spied an SM-7A box behind the counter and pointed it out to him. The poor fellow was embarrassed, to...

Gear Reviews

Toad guitar amplifier

by Toad guitar amplifier  |  reviewed by Pete Weiss

Is it me, or is modeling getting a bit out of control? Seems like every plug-in, amp, outboard effect, keyboard, and even guitar these days relies on modeling circuitry to simulate some classic sound or other. But what about gear that just plain sounds really good (as opposed to gear that simulates...

Gear Reviews

Versipanel Wrap-Around Wall

by Versipanel Wrap-Around Wall  |  reviewed by Andy Hong

I usually track "basics" with all the players, instruments, and amps in the same room. I find that musicians perform better this way. Unfortunately, the situation can get pretty "washy" with all the sounds bouncing around inside a single room, and the bleed between instruments can sometimes be a...