Daniel Lanois

Interviews

Adam Samuels

Interviews

Nerve Generator

Interviews

Doug Fearn

Interviews

Michael Brauer

Interviews

Stratosphere Sound

Interviews

MORE FROM THIS ISSUE

JULY 19, 2025 INTERVIEWS
Manitoba (Caribou)

Manitoba (Caribou): Makes it seem easy

Dan Snaith (aka Manitoba [and later known as Caribou]) might just have the makings of the best revenge of the nerds story yet (well, aside from Bill Gates). He's a Canadian-born, curly-haired mathematician currently getting his PhD at Imperial College London in the United Kingdom. But when he's not writing thesis papers that would make the brains of mere mortals implode, he finds the time to create some of the most refreshing pop melodies you'll ever hear. Last year's release on Leaf Recors, Start Breaking My Heart, create a huge stir in both the underground indie rock and avant-electronica communities (fractions rarely in accord with one another). The album's restrained simplicity, off kilter programmed beats, layers of hooky Rhodes piano melodies and good old-fashioned pop song structures hit a perfect balance or sounding both familiar and completely new. This year's release on Domino Records, Up In Flames, is a hugely ambitious departure from the governing simplicity of the last release. Instead, Dan has created a lush, sprawling, dream-like pop album falling somewhere between the Beach Boys' Pet Sounds and Moby's Play. What's even more amazing is that he made both albums in his apartment using an old off-the-shelf PC. If this interview taught me anything, it's that ambition and talent are the only prerequisites for making great music.

JULY 19, 2025 INTERVIEWS
DIY JFET Mic Pre

DIY JFET Mic Pre: DIY JFET Mic Preamp and Beyond!

Back in July/August of 2002, I offered up a tube mic preamp circuit here in Tape Op, and provided a kit for a limited time to assist in building it, through my company Hamptone. For all of you I scared off with subtle warnings about hi voltage and serious death, this project may be more your speed. My goal was to design an extremely simple solid-state circuit that sounded great, but was inexpensive and easy to build. Tube circuits inherently get more complicated because of power supply requirements, whereas the circuits shown here can all be run off a DC wall wart. First I will describe how a JFET (junction field effect transistor) works and why I chose it as the amplifying device. Second, I will show a circuit implementing the JFET in a simple class A gain stage with a voltage follower. Last, we will use the gain stage in three applications: an instrument preamplifier, a microphone preamplifier, and a line mixer. The JFET amp shown here can be applied to a variety of other applications including condenser microphones. It will be my intent to keep this more oriented toward practical application rather than going heavily into technical detail. So fire up your soldering irons, let's DIY!

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MP3 Me ASAP! Or, Larry’s Descent Into the Digital Age
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GEAR REVIEWS

Gear Reviews

5051 Mono Valve Processor

by 5051 Mono Valve Processor  |  reviewed by Steve McAllister

I added this box to my rack for a two-month testing period and was impressed right from the start. It's pretty much a 2U channel strip with preamp, compressor, gate, and EQ sections. At first I was struck by the unit's simplicity. No need to flip through the manual, everything was clearly marked,...

Gear Reviews

A-51 Model A microphone

by A-51 Model A microphone  |  reviewed by Garrett Haines

ADK was one of the first companies to offer low-cost condenser microphones. Today they offer a wide range of microphones, including the affordable A-51 Model A. The A-51 is a sturdy, Class-A, cardioid FET condenser with a 1'' diaphragm. It comes in a matte black finish. You can buy a plain A-51 in...

Gear Reviews

ADM 465 Triple Tap Digital Delay

by ADM 465 Triple Tap Digital Delay  |  reviewed by Chris Garges

I am a HUGE fan of the Delta Lab Effectrons of yesteryear. I remember growing up in North Carolina, then moving to Florida, and it seemed like everywhere I went, there was one of those blue 1U delays in every control room. The reasons make plenty of sense, too: great- sounding, easy to use,...

Gear Reviews

AlphaSorb Fabric Wrapped Cloud

by AlphaSorb Fabric Wrapped Cloud  |  reviewed by Andy Hong

My control room has an open "A-Frame" ceiling with a single steel beam forming the horizontal element of the A. When we designed the room, not only did we choose to keep the ceiling open, but we wanted to highlight the ceiling with upward-pointing flood lights to make the room feel more spacious,...

Gear Reviews

AT3060 tube microphone

by AT3060 tube microphone  |  reviewed by Scott Craggs

The AT3060 is a large diaphragm tube mic that runs on 48V phantom; there's no external power supply. There's also no frills: it's cardioid only, there's no low cut, no pad, no nothing. Just mic. It showed up at my house awhile back and I put it right into the rotation. My first impression was that...

Gear Reviews

BackOffice

by BackOffice  |  reviewed by Rick Van Benschoten

Once I realized I would be dragging my laptop with me nearly everywhere, the question became what to carry it in. My spacious messenger bag didn't offer the necessary protection. A nearby Staples offered an appealing, but ultimately temporary solution, the $45 Icon single- shoulder carrying case....

Gear Reviews

C Control

by C Control  |  reviewed by Brandon Oreno

Is your home/project studio lacking the bitchin' control room features that only a high end console is capable of delivering? Are you tired of patching and re-patching your various sets of monitors? Does it make you sad that your mixer is not equipped with a talkback mic for communicating with the...

Gear Reviews

E47 condenser microphone

by E47 condenser microphone  |  reviewed by Larry Crane

First let's get one thing out of the way: I have never used a real Neumann/Telefunken U47. I wish-but it has never happened. I thought about renting or borrowing a vintage U47 to compare to the Soundelux E47, but I finally decided it didn't matter. I know Soundelux were attempting to recreate the...

Gear Reviews

LA204WH wireless doorbell w/ strobe

by LA204WH wireless doorbell w/ strobe  |  reviewed by Andy Hong

My studio is inside a building that has three doorways leading to two different streets. Instead of wiring doorbells to all three doors, I decided to save some money (and time) and use a wireless door chime with wireless buttons. The contractor who renovated my building had already installed a...

Gear Reviews

Melbourne 34162 Broadcast Console

by Melbourne 34162 Broadcast Console  |  reviewed by John Baccigaluppi

Like a lot of people, I've been watching the trend towards DAW mixing "out of the box." Systems like the Dangerous 2-Bus were pretty appealing, but then I started seeing these old Neve broadcast consoles on eBay. Hmm, I thought, I wonder if this would work out kinda' like a 2-Bus but also have some...

Gear Reviews

MXL Pro Pac

by MXL Pro Pac  |  reviewed by David Huber

Every once in a blue moon a deal on equipment comes along that grabs me by the neck and just says "I'm good, and I'm affordable...ya simply gotta buy me!" Recently, one of these little screamers took the form of an MXL Pro Pac from Marshall Electronics. The Pro Pac consists of an MXL 2001...

Gear Reviews

PARIS

by PARIS  |  reviewed by Kiley Henner

About a year and a half ago I decided I needed to upgrade my modest home recording setup to something more professional. I have experience recording on analog gear as well as ADATs, and at home I'd been recording with a Roland VS1680 hard disk recorder. I had several requirements I needed to meet,...

Gear Reviews

Pro VLA compressor

by Pro VLA compressor  |  reviewed by Craig Schumacher

Ok, I know that last issue I reviewed a really nice high-end compressor (and I still love those Geoff Dakings), but compressors to me are the equivalent of spices to a chef. Therefore, you need a lot of them and many different varieties. The compressor panel at this year's TapeOpCon was quite...

Gear Reviews

Q-Mix HM-6

by Q-Mix HM-6  |  reviewed by John Baccigaluppi

I've had this headphone amp/mixer in my studio for over two years now and it's probably one of the best under $300 investments I've made. The Q-Mix is a 6 x 6 headphone mixer and amp with six inputs and six powered headphone outputs. Each musician can dial in their own personalized mix from the six...

Gear Reviews

SIR (Super Impuls Reverb) Beta v.086 VST Plug-in

by SIR (Super Impuls Reverb) Beta v.086 VST Plug-in  |  reviewed by Rich Hardesty

By now you must have heard some rumblings about what may prove to be the best-sounding type of reverb plug-ins: they're termed "impulse response" reverbs. In layman's terms (my terms too) these devices work on impulses created in physical spaces by generating and then recording broadband signals...

Gear Reviews

TG1 Compressor

by TG1 Compressor  |  reviewed by Mike Caffrey

Two word review: Holy shit! That's what I said after listening to the first tracks I ran though this compressor. It's also literally what the next four people who heard it said. The bad news-it costs around $4,000. The good news-it's worth it. Ellis Sorkin, the owner of Studio Referrals in LA, told...

Gear Reviews

XBase09

by XBase09  |  reviewed by Geoff Farina

This box was one of the first TR-909-style drum machines that appeared in the '90s, precipitating a flood of Roland TR-X0X-style hardware and software that has yet to subside. Of these, it remains one of the truest to the form. Unlike the emaciated rackmount facades of the Novation Drumstation and...