Jonathan Kreinik

Interviews

Sally Browder

Interviews

David Lewiston

Interviews

Jamie Laboz

Interviews

MORE FROM THIS ISSUE

AUGUST 1, 2025 INTERVIEWS
Crowley & Tripp

Crowley & Tripp: Behind the Gear with Soundwave Research Labs

Chris Regan of Soundwave Research Labs introduced me to Crowley and Tripp microphones (Soundwave Research Labs is the parent company of Crowley and Tripp). He explained that the company had been developing ribbon mics and testing them at area studios, gathering ideas and input from users. I asked Chris to bring two mics, the Studio Vocalist and the Proscenium, to Makeshift Studio for a trial, and invited a few friends to listen while singer/guitarist Milo Jones performed. As Milo played I found the two Crowley and Tripp microphones to be right up there with my favorite ribbon mics, AEA and Royer. I was immediately impressed by their quality. Both mics had a big, smooth sound, were super solid and looked about the size of a can of Red Bull. Recently I visited Soundwave Research Labs in Ashland, Massachusetts to interview Bob Crowley and Hugh Tripp, the company founders. Before our interview, Bob spent a good hour showing me the lab and his experiments, including a fly's wing fixed to a transducer, then an oscilloscope that visually displayed the wing's reactance to a current of air. Bob's love for ribbon mics started in the 1970s, when he and a group of friends from Newton, Massachusetts made live recordings of local acts like The Modern Lovers. Together, the friends had a collection of RCA mics that they came to know and trust. Over the years, in his research for developing ultrasound transducers for the medical industry, Bob visited and worked with some of the world's greatest microphone manufacturers. Now he has come full circle and is putting his experience and passion into creating the next wave of performance ribbon microphones, built in the Crowley and Tripp laboratory with the best materials possible. He and his partner Hugh are breaking new ground. The two are just beginning work on a ribbon microphone to be used specifically on kick drums and bass cabinets (long thought to be a no-no for the fragile ribbon element). In this microphone, the ribbon itself is composed of a group of carbon nanotubes that are arranged to form a super strong, tear-resistant material. Both Bob and Hugh have a huge appetite for learning, experimentation and sharing their knowledge. Both are expatriates of Boston Scientific, and Bob holds patents for over 100 inventions in music, ultrasound and life-saving devices. Crowley and Tripp's first mic, the Studio Vocalist, made its debut in 2004. The company now has five models. At the time of our meeting, Crowley and Tripp were just heading-out to show their newest mic, the Recordist, at AES in California. The Recordist will be sold in pairs for stereo and Blumlein recording.

AUGUST 1, 2025 INTERVIEWS
Geoff Emerick

Geoff Emerick: Recording the Beatles

I'd come to a midtown Manhattan law office to meet Geoff Emerick, the infamous engineer on most of the significant recordings by The Beatles, to talk about his new memoir Here, There and Everywhere: My Life Recording The Beatles, along with his co-author Howard Massey, an accomplished writer and engineer himself. What's most striking upon meeting Geoff is how mild-mannered he is — he's certainly quite humble considering his starring role in some of the most important recordings of the 20th century. In fact, when I come right out and refer to Geoff as a prime candidate for the "Fifth Beatle" moniker and say what Elvis Costello alludes to in his wonderful preface to Here, There and Everywhere — that Geoff's role was truly as producer, while George Martin's was more that of an A&R man or session "director" — Geoff visibly blushes before shrugging off what to him really does appear to be an outlandish suggestion. But let's face it — this is the guy who crafted some of the signature sounds we all take for granted. Paul McCartney's bass sound post-"Paperback Writer"? Geoff Emerick. Matching up the speeds and editing together two takes of "Strawberry Fields Forever" in two different keys? Geoff Emerick. George Harrison's heart-wrenching guitar sound on "Free As A Bird"? Geoff Emerick. In fact, the list goes on and on...

AUGUST 1, 2025 INTERVIEWS
Ghetto Recorders

Ghetto Recorders: Motor City Secret

Tucked away smack dab in the middle of two stadiums, the Fox and State theatre complexes, a police station and the rotting corpses of Detroit's once elegant apartment district, lies one of the city's least known gems. If you don't know where it is, you'll never find it, but once you're told and are inside, you won't forget it. Jim Diamond and Ghetto Recorders are names synonymous with the enormous popularity of the Detroit garage rock explosion. As a recording engineer/producer/studio owner, founding member of The Dirtbombs and member of The Witches and Bantam Rooster, Jim has worn many hats in the progression of Detroit's underground music. That said, there is a second party to this story — John Linardos, mastermind behind Motor City Brewing Works and world famous Ghetto Blaster beer. It was his personal rehearsal and demo studio that eventually became the Ghetto Recorders that we know and love today. Beer and rock 'n' roll — the perfect prescription, and the perfect segue into this interview. I got together with Jim and John at the Motor City taproom on a balmy night in October.

AUGUST 1, 2025 INTERVIEWS
Pete Anderson

Pete Anderson: Raising the Kids to Punk and Roots Rock

Pete Anderson is known to many as the original guitarist and producer for Dwight Yoakam. These days Pete's life revolves around his label, Little Dog Records, and studio, where he's recently produced, recorded and released records for Moot Davis, Cisco and even Kirk Kirkwood of the Meat Puppets. The studio space here is modest but flexible, and with his partner-in-crime Sally Browder [see interview this issueURL], he's able to do anything he needs to do at their own space. Pete's also done a handful of solo records featuring his melodic, twangy, great guitar playing and superior tone. His last, Daredevil, is a fun outing — the kind that's great to leave in your car stereo for the summer!

COLUMNS

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GEAR REVIEWS

Gear Reviews

A7 active monitor

by A7 active monitor  |  reviewed by Thom Monahan

Over the last two years, mixing at The Hangar, John Baccigalupi's studio in Sacramento, I've come to rely on the pair of ADAM P22As that John has in the control room there. They've been just about my favorite monitors that I've ever used. They're accurate without being strident and musical without...

Gear Reviews

Analog Factory

by Analog Factory  |  reviewed by John Baccigaluppi

I love the Arturia plug-ins and so does Dana Gumbiner. Between the two of us, we've reviewed every plug-in synth they've ever released. But as much as I think the plug-ins are amazing, I use them less often than I'd like because of their complexity and huge CPU hit. The graphics are amazingly...

Gear Reviews

ATM450 side-address condenser

by ATM450 side-address condenser  |  reviewed by Chris Garges

Audio-Technica has just released a microphone that I've been waiting on for years. The ATM450 is a small-diaphragm condenser microphone. Audio-Technica makes several excellent small-diaphragm condenser mics already, but what makes this one different is its side-address design. The ATM450 is...

Gear Reviews

Audio Kontrol 1

by Audio Kontrol 1  |  reviewed by Rich Hardesty

Native Instruments-a company whose reputation was built on software as opposed to hardware-just released their Audio Kontrol 1 into a market already crowded with affordable portable recording interfaces with excellent audio quality and reasonable flexibility. But rather than just follow the...

Gear Reviews

AudioSkin Cable organizer

by AudioSkin Cable organizer  |  reviewed by John Baccigaluppi

Our pal Diane Gershuny turned us onto this handy little studio organization tool at the Austin NAMM show and sent us a few to try out. AudioSkin is one of those plastic products that wraps around loose cabling and turns it into one neat bundle of cables that's easier to deal with. The super cool...

Gear Reviews

China Cones

by China Cones  |  reviewed by Garrett Haines

China Cones are an isolation device used to decouple monitor speakers from the console, stand, or surface supporting them. Made of ceramic, the manufacturer claims China Cones vibrate in a frequency range outside of human hearing, making them a better isolation solution than brass or other commonly...

Gear Reviews

CS-80V & Prophet-V software synths

by CS-80V & Prophet-V software synths  |  reviewed by Dana Gumbiner

I have fallen in love with a software synthesizer. I never thought it could happen to me. After long, fulfilling relationships with my analog synths (various Moogs, Rolands, etc.), I kinda brushed off most analog-modeling software synths as budget imitations, which is really snobbish and unfair, I...

Gear Reviews

DigiMAX FS 8-channel preamp

by DigiMAX FS 8-channel preamp  |  reviewed by Andy Hong

When this unit arrived in my studio, my first assumption was that it was a "remix" of the DigiMAX 96 or LT, both of which are fine units and sound pretty good, especially for their price. But honestly, they're kinda boring. Eight preamps feeding eight A-D converters to Lightpipe-clean sound,...

Gear Reviews

EMI TG EQ Mastering Pack

by EMI TG EQ Mastering Pack  |  reviewed by John Baccigaluppi

Abbey Road Studios along with their stateside partner, Wade Goeke of Chandler Limited, are continuing to make some of the great sounding early audio gear from the EMI empire available to us common folk. Wade's hardware is amazing, but the plug-ins are also surprisingly great. The EMI compressor...

Gear Reviews

L2007 Mastering Limiter plug-in

by L2007 Mastering Limiter plug-in  |  reviewed by Garrett Haines

For quite sometime many have viewed Waves L2 as the best digital plug-in limiter. And over the years, there have been many challengers. While some upstarts had strengths in different uses, none seemed to have that all-around solid performance of L2. Heck, I know quite a few people that think Waves...

Gear Reviews

Lemur multitouch surface controller

by Lemur multitouch surface controller  |  reviewed by Dana Gumbiner

The Lemur is a unique, open-ended controller geared towards DAW and live-performance applications. The Lemur hardware is essentially a flat touch-screen interface (kind of like a tablet PC) which utilizes a proprietary "multitouch" technology, allowing one to use all ten fingers to simultaneously...

Gear Reviews

Live 6

by Live 6  |  reviewed by Walt Szalva

I finally got hip to Live. I used to think it was primarily for stage use, but I've since realized that its ease-of-use (hey, if you can perform with it, it better have an extremely efficient UI) along with a very mature feature set makes it a formidable studio tool too. Just to get my feet wet, I...

Gear Reviews

MA-2.2 TX mic preamp

by MA-2.2 TX mic preamp  |  reviewed by Chris Garges

Having never used any Buzz Audio products before, I was intrigued at the prospect of checking out this 2-channel Class A preamp. The 1RU-height box features a nice array of front-panel controls for each channel: polarity reverse, 20 dB input pad, finely stepped gain knob (+16 dB to +65 dB), phantom...

Gear Reviews

Macht 12x guitar amp

by Macht 12x guitar amp  |  reviewed by Allen Farmelo

Last winter, I got my hands on a Savage Macht 12x guitar amplifier and haven't tracked guitars without it since. For technical details and configuration options, visit the website. I'm going to focus on what it's like to record with this little 12 Watt, 6V6-driven, 1x12, tube combo. From the start,...

Gear Reviews

Mbox 2 Mini

by Mbox 2 Mini  |  reviewed by Andy Hong

The Mbox 2 Mini is the most compact of Digidesign's Pro Tools systems; it's almost exactly the same size as a stack of four CD jewel cases. It has some heft due to its robust metal enclosure; I wouldn't be afraid to lose it for a few days within the depths of my courier bag, where it'd have to take...

Gear Reviews

Portico 5033 parametric EQ

by Portico 5033 parametric EQ  |  reviewed by Andy Hong

The more I use Pro Tools, the more I use outboard analog. I used to have a single table-high rack of outboard processors (not including all my preamps), but these days, I'm working with two racks full of analog processing. My latest addition is a pair of 5033 EQs from Mr. Neve's Portico range (see...

Gear Reviews

ProFire Lightbridge interface

by ProFire Lightbridge interface  |  reviewed by Andy Hong

Wow. 34 inputs and 36 outputs via a single FireWire cable. 32 channels of ADAT Optical I/O at 44.1/48 kHz; 16 channels S/MUX'ed at 88.2/96 kHz. Two channels of S/PDIF I/O. Word clock in and out. Two balanced analog outs on TRS connectors with a level knob. Headphone out. MIDI I/O. And front-panel...

Gear Reviews

Pro Tools 7.3 upgrade for HD, LE, and M-Powered

by Pro Tools 7.3 upgrade for HD, LE, and M-Powered  |  reviewed by Andy Hong

As I write this, I'm just finishing up rough mixes for a project that I tracked and edited with Pro Tools HD 7.3. It's my favorite upgrade in recent years. 7.3 added so many crucial user-interface tweaks that it's far easier to get around a project, and it's even possible to change some settings...

Gear Reviews

Reason Pianos

by Reason Pianos  |  reviewed by Josh Peck

Creating a sample instrument is a seemingly straightforward task-record the sound of the instrument with great fidelity, and program a sleek and usable interface to trigger that recording. However, the breadth of styles and ambiences that a piano can have greatly complicates this task. Reason...

Gear Reviews

S3 multiband compressor

by S3 multiband compressor  |  reviewed by John Baccigaluppi

Almost 20 years ago, I was working for a recording studio that was owned by an FM radio station. One day, the Program Manager asked me if I wanted some gear the station was throwing away. They had just redone the transmitter and were tossing two Gregg Labs Tri-Band broadcast limiters that were part...

Gear Reviews

SHH Studio Headphone Hanger

by SHH Studio Headphone Hanger  |  reviewed by John Baccigaluppi

Anyone who's read my reviews in Tape Op has probably seen one of my "dealing with headphones in a busy studio sucks" rants where I complain about how my clients treat all my headphones like crap and throw them on the floor until they don't work anymore. Well, Bill Hannapel at Stedman must have read...

Gear Reviews

Sputnik multi-pattern tube mic

by Sputnik multi-pattern tube mic  |  reviewed by Joel Patterson

There's hype, and then there's hype... and then there's HYPE. No buzzwords have been spared in the promotion of M-Audio's new tube microphone, the Sputnik. "The end of microphone envy," with its saucy overtones, is supposed to say it all. It's compared to venerable workhorses like the Neumann U 47...

Gear Reviews

Words and Music: A History of Pop in the Shape of a City

by Words and Music: A History of Pop in the Shape of a City  |  reviewed by John Baccigaluppi

This is the last book I ever bought at Tower Books on the corner of Broadway and Land Park Dr., before they and the entire Tower Records chain, which was started here in Sacramento, CA, went out of business this past Fall. In fact, Tower was started in the drugstore (Tower Drugs) that was located...