Josh Hager/Garvy J

Interviews

Devo in the Studio

Interviews

A Crash Course on Fender Amplifiers

Interviews

Dawn Landes

Interviews

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JULY 19, 2025 INTERVIEWS
Bob Johnston

Bob Johnston: Dylan, Cohen, Cash, Simon & in the studio with Bob

He's always had big ideas, been involved with big projects and had hits with countless artists in his many decades in the music business. Although Bob will be the first to acknowledge how lucky he's been in his life to work with so many great artists, there is also an unmistakable thread that weaves through all of his records. It is the combination of all of the things that happen during a Bob Johnston session that makes his records so great, and the results continue to speak for themselves. - Jimmy Foot In 2004 the only two records that lived on my turntable were Bob Dylan's Blonde on Blonde and Leonard Cohen's Songs of Love and Hate. They became obsessions, as did the man who produced them. I soon came to discover that this enigma also produced many of my other favorite records, but I couldn't find much information on the man himself. In February of 2009 I was lucky enough to get tickets to Leonard Cohen's performance in New York City. I showed up at will call and they were flipping through the envelopes for the tickets, and they flipped past an envelope that said "Bob Johnston." I thought, "Holy fuck. I'm going to be in the same room as Bob Johnston!" We sat down at our seats and about three songs in I looked to the left of me and one seat over was Bob Johnston. At intermission I walked up to him and said, "Excuse me. I think you're the greatest record producer of all time." And with his deep Texas drawl he said, "Yep. My name is George Martin." Now I've never met George Martin, but I am pretty sure he's not from Texas. -HB

COLUMNS

END RANT
Gear Geeking - Issue 80
GEAR GEEKING

GEAR REVIEWS

Gear Reviews

Alchemy soft synth

by Alchemy soft synth  |  reviewed by Alan Tubbs

There are many jobs for which hardware still rules the music roost. But there are some that software does better - synths, for example. Though no software will replace my analog Minimoog, many hardware synths are nothing more than specialized computers running software. Sampling and FM synthesis...

Gear Reviews

Chameleon Bass Trap

by Chameleon Bass Trap  |  reviewed by Garrett Haines

I can't think of a recording studio that doesn't require acoustic treatment. Like many Tape Op readers, we've done our fair share of DIY blended with commercial off-the-shelf solutions. If you run a commercial studio, there can be some serious disadvantages to the DIY approach. Using wooden frames...

Gear Reviews

CLASP tape-machine interface

by CLASP tape-machine interface  |  reviewed by Steven Todd Hudson

This past March, I had my first experience recording to tape with CLASP (Closed Loop Analog Signal Processor). CLASP inventor Chris Estes was at Yellow Dog Studios in Austin to help us get started with his revolutionary device and to demo CLASP to other engineers, producers, and artists during...

Gear Reviews

DDP Player OEM

by DDP Player OEM  |  reviewed by Garrett Haines

This standalone, cross-platform application allows mastering engineers to provide complete evaluation masters to artists. If you're wondering why this matters, it means that artists can review masters remotely. There is no need to ship a physical CD. There is no need for the band to travel to the...

Gear Reviews

DIY500 mkII Minimal Kit

by DIY500 mkII Minimal Kit  |  reviewed by Garrett Haines

If you've mastered the skills necessary to build something like a Seventh Circle Audio preamp (Tape Op #35, #54), you might want to move to something a little more challenging. Eisen Audio has just the thing. The DIY500 mkII Minimal Kit provides you with the framework to build a custom preamp for...

Gear Reviews

Dragon Dynamics Processor

by Dragon Dynamics Processor  |  reviewed by Thom Monahan

If you've heard of Steven Slate and his sample libraries, you're aware of one thing; Steven Slate loves drums. All kinds of drums - big ones, small ones, drums up close, drums far away...... drums, drums, drums.The Dragon Dynamics Processor is the first offering from his new hardware company, Slate...

Gear Reviews

DrMS v3 mid/side processor plug-in

by DrMS v3 mid/side processor plug-in  |  reviewed by Jessica Thompson, Allen Farmelo

The DrMS plug-in is based on Mid/Side processing, a powerful way of manipulating stereo signals that grew out of a recording technique patented by Alan Blumlein in the 1930s. There's really no way to understand the DrMS plug-in without grasping the basics of M/S recording, so let's start with...

Gear Reviews

Dual Vandergraph

by Dual Vandergraph  |  reviewed by Eli Crews

Next on the 500-series hit parade is Shadow Hills Industries' gorgeous Dual Vandergraph! It's a stereo compressor with roots in Shadow Hills' own Mastering Compressor, a behemoth that has found its way into the hands of some of the most renowned mix and mastering engineers in the country (Michael...

Gear Reviews

Isotools

by Isotools  |  reviewed by Dana Gumbiner

ck when they were first introduced, I was skeptical of the Primacoustic Recoil Stabilizers monitor pads (Tape Op #62) that have since become something of an industry standard. Having little or no patience for what I then perceived as trendy gimmicks, it took the kindness of a fellow engineer...

Gear Reviews

Launchpad Performance Controller

by Launchpad Performance Controller  |  reviewed by Dana Gumbiner

The Launchpad has, well, landed and seems certain to become a ubiquitous tool for users of Ableton Live (Tape Op #72). It's a compact and lightweight USB MIDI interface organized around an 8x8 grid of 64 LED-backlit buttons, similar in design to the partially open-source Monome controller (#62)....

Gear Reviews

R-101 ribbon mic

by R-101 ribbon mic  |  reviewed by Larry Crane

When the Royer R-121 ribbon mic (Tape Op #19) came out in 1998, word on the street from working engineers was overwhelmingly positive. I borrowed one from Jeff Stuart Saltzman and soon bought my own. Ribbon mics were coming back in style (kudos to Wes Dooley for keeping the faith), and Royer had...

Gear Reviews

Regensburg Dom microphone

by Regensburg Dom microphone  |  reviewed by Adam Kagan

How many good vocal mics are there out there today? Probably way too many, but how many are truly great vocal mics? Now we can narrow the field, with the choice mics being mostly of the vintage or vintage re-issue breeds. A few boutique manufacturers - really builders, since calling them...

Gear Reviews

Saffire PRO 24 DSP

by Saffire PRO 24 DSP  |  reviewed by Joseph Lemmer

Focusrite's compact, 16 in, 8 out, 24-bit, 96 kHz FireWire audio interface includes 4 analog inputs (2 mic/line/instrument, 2 line/instrument), 6 analog outputs, S/PDIF I/O, and ADAT in. Under the hood is a DSP-powered subsystem for low-latency routing, monitoring effects, and Virtual Reference...

Gear Reviews

Sibelius 6

by Sibelius 6  |  reviewed by David Hidek

When contemporary music intersects with the world of classical music, certain things can be lost in translation. How many times have you heard a guitar player mention that he doesn't really know notes, he just knows chord shapes? When I reviewed the ASK Video Sibelius Tutorial DVD (Tape Op #62) it...

Gear Reviews

StudioLive 16.4.2 digital mixer

by StudioLive 16.4.2 digital mixer  |  reviewed by Eric Tischler

I was an analog snob. Having fallen foul of a few ADATs back in the day, I badmouthed the sonics of digital: the crispiness, the sterility, the lack of depth, etc. In the last couple of years, however, I began to relent as I found myself enjoying and admiring more and more records that were...