END RANT
JULY 15, 2025 INTERVIEWS
Neil Brockbank is part of a dying breed of true pros. For the past few years he has been traveling with celebrated songsmith Nick Lowe on Lowe's solo tours, tirelessly wearing the hats of driver, guitar tech, soundman and tour manager. I had a chance to accompany Brockbank while he did live sound on a couple of Lowe's U.S. shows, and witnessed an artful engineering "performance" — equal parts choreography and improvisation. Neil knows Nick's songs back to front, and is able to deftly ride the vocals and instinctively add subtle flourishes of echo and reverb as needed. It always serves the song and enhances the audience's experience. The musical care offered every night was admirable to be sure. Though he has a great deal of live sound experience, the U.K.-born-and- bred Brockbank is certainly no stranger to the studio. He's done records with some of the greats from both sides of the Atlantic like Bryan Ferry, Tanita Tikaram, Alison Moyet, Tres Chicas, Geraint Watkins, Tift Merritt and Linda Thompson. And it's Brockbank's astonishing work with Lowe, starting with 1994's The Impossible Bird, up to 2011's The Old Magic, that have garnered high praise for his natural, timeless recorded sound. I met up with Neil and his cohort Bobby Treherne (a producer in his own right and longtime drummer with Nick Lowe, Van Morrison and others) in the Camden Town neighborhood of London, over beers at the Princess of Wales pub.
Dave Jerden has engineered, produced and mixed some of the most cutting-edge, ground breaking records in studios all around the world. Just take a listen to his engineering and mixing of Brian Eno and David Byrne's My Life in the Bush of Ghosts, Talking Heads' Remain in Light and Herbie Hancock's Future Shock. As an engineer, he has worked with some of modern music's greatest producers such as Bill Laswell, Michael Beinhorn, Brian Eno and Steve Lillywhite. Jerden is a technical master, unconstrained by conventional thinking and confident yet humble. As a producer he has helped artists like Public Image Limited, Jane's Addiction, Alice in Chains, Social Distortion and The Offspring make stunning records. Currently, he co-owns Tranzformer Studios in Burbank, California, with his long time engineer Bryan Carlstrom (Tape Op #28). The studio is managed by Annette Cisneros (who has also engineered alongside Jerden and Carlstrom for many years) with assistant engineer duties going to John Nuss. Dave Jerden and I sat in the patio lounge at Tranzformer Studios for a pleasant conversation covering a multitude of topics.
Doug Haire has been a staff engineer (a rarity these days) at Jack Straw Studios in Seattle since 1990. He's recorded just about every kind of music and engineered countless live radio performances. When he's not in the studio he heads outside, listening for interesting sounds and locations to record. These recordings then became the basis for audio compositions, musique concrète mash-ups, if you will. On top of all that he's a super nice guy who was a pleasure to interview.
Okay, let me be as clear and concise as possible: the Telefunken AR-51 is the best condenser microphone I’ve ever tested for this mag (and I’ve tested a few). This mic utilizes circuit design elements of the revered Telefunken Ela M 251 and C 12. While they maintain their status amongst engineers...
RockruepelWith so much amazing boutique gear available these days, I have to confess that I don’t get all that excited when I hear about yet another expensive tube compressor being made in small numbers by experienced designers to quality standards that surpass every military spec known to modern...
The CV4 comes from Miktek in Nashville, and it combines modern construction with classic tube mic design and componentry. Right off the bat, the mic gets your attention with its chrome head, brushed steel body, and black trim. The build quality and weight of the mic and power supply are impressive,...
Are your ears being damaged? Do you attend loud concerts? Set up mics on fidgety drummers? Rehearse in a small room? Ride the subway? I don’t think that most of my friends are aware of the damage that is being done to their ears, and this is why I’ve started recommending (and handing out) the...
Maybe I’m old school, but I find it difficult to record and mix without a console. When making decisions about the sound of a piece of music (as opposed to the structure of the song), I find it much more intuitive to use faders, knobs, and buttons instead of a mouse; as Allen Farmelo explained to...
Fairly young and becoming something of an instant legend, the Event Opal is getting tons of attention. It’s not often that a company scales a rather diverse monitor range down to a single product (recently updated to two). So is the attention all hype, or has Event once again created a new class of...
The Opticom XLA-3 uses a photocell-based detection circuit coupled with tube make-up gain. The first famous compressor with this topology, of course, is the Teletronix LA-2A; its rich and dark tone has produced classic vocal sounds for decades. At the other extreme, the Manley ELOP demonstrates...
Tonelux was one of the first companies to design and build summing amps, and as the field continues to grow, Tonelux has released their newest offering, the OTB16, a 16-channel summing amp designed by Paul Wolff. (Mr. Wolff owned API for much of the ‘80s and ‘90s.) The OTB16 elegantly exemplifies...
Glyph Production Technologies recently released a new member to its line of professional drives. Called the PortaGig 62, it packs the full features of a Glyph in a space that fits in the palm of your hand. At about 3.5’’ x 4.5’’ x 1.5’’, it really is the little brother to the larger GT 062E. Inside...
This hefty, 350-page hardbound book is based on the studio design firm Recording Architecture Limited’s 23 years of experience in recording studio design — from small, private project studios (Kravitz, Bernard Sumner, Sade) to large, commercial studios (Lansdowne, Konk). Inside are over 140 project...
sE Electronics recently teamed up with Rupert Neve to produce a new series of microphones, including the RNR1 active ribbon (Tape Op #85) and the RN17 small-diaphragm condenser. The principle designs were inspired by Rupert Neve and engineered and built by sE Electronics. True to all Neve designs,...
When Steinberg announced the plug-in versions of the Rupert Neve Designs Portico 5033 EQ (Tape Op #57) and 5043 Compressor (#59), I jumped at the chance to try them. These plug-ins are based on Yamaha’s Virtual Circuit Modeling technology. VCM utilizes carefully tweaked, digital reproductions of...
I have to say that as an engineer and producer, I’ve been blessed with being able to work with many talented singer/songwriters. The one thing I’ve discovered is that the best performances come from letting the artist perform naturally with guitar in hand while the rhythm section tracks along to...
SNAZZY FXIn the current age of computer-based recording, it’s easy for in-the-box effects like reverb, delay, and such to come off as sounding too “under control.” I’ve found myself extensively re-amping signals, printing real tape delays, using plate and spring reverbs, and blasting sounds out...