Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

  • NO. 147

    Radial Engineering: Power-1 Surge Suppressor & Conditioner

    REVIEWED BY Larry Crane

    The Power-1 is the first in a series of power distribution and conditioning/surge suppressor units from Radial Engineering. Why was I excited about swapping this one space “glorified power strip” into some of my studio racks? Mostly because there are three power outlets on the front for all those stompboxes...

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  • NO. 147

    Red Panda: Bitmap 2 Bit-Crusher Pedal

    REVIEWED BY Ivan Anderson

    The Red Panda Bitmap 2 is a bit-crusher for people who love bit-crushing, made by people who are obsessed with bit-crushing. The instruction manual begins by describing designer Curt Malouin’s relationship with music in 5th grade (bit-crushing was formative), then goes on for 30 pages of technical information....

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  • NO. 147

    BookerLAB: Fusion Preamp Interface Rotary Speaker Controller

    REVIEWED BY Slater Swan

    If you have a Leslie rotary speaker cabinet in your studio, then the BookerLAB Fusion preamp interface (FPI) is an absolute must. The FPI allows you to connect instruments, microphones, and studio equipment to your Leslie via a 1/4-inch connector. This, coupled with an effects send and return and speed...

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  • NO. 147

    jz microphones: jz microphones: Vintage 12 Microphone

    REVIEWED BY Geoff Stanfield

    The JZ Black Hole [Tape Op#71] and BB29 [#141] are mics that are often used in my studio. They have purpose across many applications, and my Black Hole mic has performed reliably, without issue, for over a decade. I loan them to friends who need an extra mic and recommend them to folks that need a high-quality...

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  • NO. 147

    Crucial Audio: Studio-Nugget Analog Tube Delay

    REVIEWED BY Geoff Stanfield

    When I have a new piece of gear in my hands for review I always ask myself some questions. Do I need it? How simply will it integrate into my workflow? Will it improve my process, mixes, or creativity? I am always looking to streamline and have tools in the studio that will get used every day. The Studio-Nugget...

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  • NO. 147

    Hazelrigg: VNE Tube Compressor

    REVIEWED BY Jeremy Wurst

    I believe we’ve all been overlooking Hazelrigg Industries for quite some time as a purveyor of excellent audio equipment. I recently had the opportunity to demo the Hazelrigg Industries VNE compressor, and having favorably reviewed the Hazelrigg VDI [Tape Op#138] in the past, I jumped at the chance...

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  • NO. 147

    ART Pro Audio: USB IV Interface

    REVIEWED BY Scott McChane

    Applied Research and Technology (ART) has set the “bang for the buck” bar with equitable pricing and affordable innovation in professional audio products for nearly 40 years. Whether you’re starting out as a self-recording artist or putting together your first studio on a budget, when cash is lean,...

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  • NO. 147

    KIT Plugins: BB N105 V2 Plug-In

    REVIEWED BY Gus Berry

    John McBride [Tape Op#97], owner of Blackbird Studio in Nashville, woke up from a nightmare one night thinking his studio had burned to the ground. Although his studio contains countless pieces of priceless gear, his first thought was, “is the Neve in Studio A, okay?” Fortunately, it was only a nightmare,...

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  • NO. 147

    Erica Synths: SYNTRX Analog Synthesizer

    REVIEWED BY Dana Gumbiner

    I've been haunted by the EMS Synthi AKS3 since watching footage of Roxy Music on the Old Grey Whistle Test (British TV show) where Brian Eno [Tape Op#85] created a bubbling bed of exotic alien noise using this portable, modular synthesizer during their 1972 performance of "Ladytron" (look...

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  • NO. 146

    United Studio Technologies: UT FET47 Microphone

    REVIEWED BY Dan Knobler

    The allure of a classic microphone design is powerful, and the emotional tug of a modern clone, that closely resembles its forerunner is undeniable – probably more valuable than many of us would like to admit. On top of that, it can be hard to tell between manufacturers whose aim seems to be “Let’s...

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  • NO. 146

    FabFilter: Timeless 3 Delay Plug-In

    REVIEWED BY Dave Hidek

    FabFilter has a reputation for taking common effects plug-ins, such as compression and EQ, then elevating them to new, mind-blowing levels of utility and complexity. I’m used to thinking, “I didn’t know I needed that!” when watching their overview videos. With Timeless 3, FabFilter has done it again,...

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  • NO. 146

    Focusrite Audio Engineering: RedNet R1 Desktop Remote

    REVIEWED BY Don Gunn

    Focusrite continues to grow its professional line of studio products by introducing the RedNet R1 desktop remote source selector and monitor controller for their Red range of interfaces. Building off my previous review of the Red 8Line interface [Tape Op#143], the RedNet R1 provides for a flexible,...

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  • NO. 146

    ToonTrack: Legacy of Rock Superior Drummer SDX Expansion

    REVIEWED BY Liam Nelson

    Let me start by saying that I am a firm believer in “real drums,” and I’ve spent countless hours tracking and mixing them. The main thing I’ve learned is that everything matters. I can get good sounds in my little project studio near home, but for anything with a budget I’m heading to the best room...

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  • NO. 146

    Boss: GT-1000CORE Guitar Effects Processor & USB Interface

    REVIEWED BY John Hong

    The Boss GT-1000CORE is mainly marketed as a new cornerstone for a guitarist's effects pedalboard, but its compact form-factor and advanced functionality make it an exceptional desktop recording and production interface. Connecting it via your modern guitar amp's effect send/return by using...

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  • NO. 146

    Radial Engineering: EXTC-Stereo Effects Reamper

    REVIEWED BY Dana Gumbiner

    This new box from Radial has saved my bacon. I’ve become a bit of an effects pedal hoarder, with a desktop pedalboard rig that has grown to an unwieldy size and become somewhat of a staple for me in sound design and mixing. Most of these pedals run through a 6-channel loop switcher, allowing me to control...

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  • NO. 146

    Earthworks Audio: ETHOS Broadcast Microphone

    REVIEWED BY Geoff Stanfield

    Recently, I reviewed Earthworks Audio's USB broadcast mic ICON [Tape Op#142] and stated in so many words that it looked and sounded incredible while being easy to use. Since my initial review, I've used it almost exclusively for interviews and voice-overs. Not long ago, Brendan Connors reviewed...

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  • NO. 146

    Billy Decker and Simon Taylor: Template Mixing and Mastering (book)

    REVIEWED BY Larry Crane

    It wasn’t until a few years ago, that I finally built my own mixing template for mixing in the box with Pro Tools. I based it on workflows I’d built up in the analog realm, with the goal of reducing repetitive tasks I’d come across while setting up mixes. When this book came along, I wondered how it...

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  • NO. 146

    MIA Laboratories: 409 Opto Compressor Plug-In

    REVIEWED BY Chris Hughes

    A problem I find with many plug-ins is either a lack or overabundance of controls. I’m either one parameter short of accomplishing a goal, or I tweak functions just because they are available rather than needed. The greatest strength of Mia Laboratories 409 Opto Compressor plug-in is in its ease of...

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  • NO. 146

    Dachman Audio: DA 87i DIY Kit Microphone

    REVIEWED BY Don Gunn

    Dachman Audio is a New York-based company that began by importing and selecting mic capsules for upgrading, replacing, and DIY, and has now added additional premium capsules using American-made 6-micron gold-sputtered mylar. Dachman’s premier product, the DA 87i DIY Kit, is based on the highly-revered,...

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