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Nov/Dec 2014

Welcome to issue #104 of Tape Op.

Every two months I have to pull myself out of the studio and take some time to put together an issue of Tape Op. In many ways it's a nice break from constant sessions, plus poring over the interviews and gear reviews for an upcoming magazine makes me excited to return to the studio. The burnout factor in the recording world is real. I've considered, many times, running an article where we only interview folks who have decided to quit music recording as a career, if only as a cautionary tale for the rest of us. For myself having this variety is key, and I find that many "lifers" in this business end up with parallel career paths. In this issue Oliver Ackermann exemplifies this lifestyle, running a stompbox company (Death By Audio), recording bands, in addition to performing and touring with A Place to Bury Strangers. Chris Mara runs a Nashville studio that also features vinyl mastering, rebuilds analog tape decks, and puts on many events. Jorge Explosion produces sessions at his studio in Spain and fronts his band, Doctor Explosion. I'm convinced that everyone wears several hats in this biz. I'm sure of it.


— LARRY CRANE,EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

David Bianco
Nov 20, 2014 NO. 104 Interviews

David Bianco: Bob Dylan, Tom Petty, LL Cool J

What do Bob Dylan, Lucinda Williams, LL Cool J, Ozzy Osbourne, Tom Petty, Johnny Cash, U2, Mick Jagger, AC/DC, The Damned, The Posies, and Rage Against the Machine all have in common? They all belong to a long and diverse list of artists that have had David Bianco touch their music. I fondly remember my own daily ritual of going into Toast Recording in San Francisco, in 1997, to work on my band's (Black Lab) debut record for Geffen/DGC. David and I have been friends ever since. I recently caught up with him at his studio, Dave's Room.

Chris Mara & Cameron Henry
Nov 26, 2014 NO. 104 Interviews

Chris Mara & Cameron Henry

In an industry that has become more and more digitized, Nashville's Welcome to 1979 and its owner, Chris Mara, are offering clients an opportunity to step back in time. With a recent purchase of a vinyl cutting lathe, Chris, along with his vinyl mastering engineer Cameron Henry, is continuing the analog tradition, giving bands a chance to cut masters directly to vinyl. I talked with Chris and Cameron about what it's like learning a forgotten craft, and about the different ways Chris may be a leader in a resurging analog revolution.

David Bianco (bonus)
Nov 15, 2014 NO. 104 Interviews

David Bianco (bonus): Bob Dylan, Tom Petty, LL Cool J

What do Bob Dylan, Lucinda Williams, LL Cool J, Ozzy Osbourne, Tom Petty, Johnny Cash, U2, Mick Jagger, AC/DC, The Damned, The Posies, and Rage Against the Machine all have in common? They all belong to a long and diverse list of artists that have had David Bianco touch their music. I fondly remember my own daily ritual of going into Toast Recording in San Francisco, in 1997, to work on my band's (Black Lab) debut record for Geffen/DGC. David and I have been friends ever since. I recently caught up with him at his studio, Dave's Room.

Ian Shaw
Nov 15, 2014 NO. 104 Interviews

Ian Shaw

Ian Shaw, engineer and producer from London, England, relocated to the heart of tropical Key West, Florida, the southernmost point in the continental US. In the winter of 2011 Ian shipped his recordin...

Tony Rolando & Kelly Kelbel
May 15, 2007 NO. 104 Interviews

Tony Rolando & Kelly Kelbel : Make Noise!

It only makes sense that with a renewed interest in analog synthesis, modular synths would make a comeback. However, rather than the hulking beasts Keith Emerson tortured on stage, or pampered studio dwellers, like TONTO, the new Eurorack style systems are lightweight, portable and powerful, owing to the inclusion of modern technology, compact circuitry, and new ideas. Tony Rolando and Kelly Kelbel run Make Noise, a modular synth company in Ashville, North Carolina.