Read Online
Loading Issue #105...
Tape Op Magazine Issue #105 Cover
Read Online

ISSUE ARCHIVE

Latest Issues

NO. 171 | Nov 2025

Tape Op Issue 171

NO. 170 | Sep 2025

Tape Op Issue 170

NO. 169 | Sep 2025

Tape Op Issue 169

NO. 168 | Jul 2025

Tape Op Issue 168

NO. 167 | May 2025

Tape Op Issue 167

NO. 166 | Mar 2025

Tape Op Issue 166

NO. 165 | Jan 2025

Tape Op Issue 165

NO. 164 | Nov 2024

Tape Op Issue 164

Jan/Feb 2015

Welcome to issue #105 of Tape Op.

When we're recording music, it always feels like there's never enough time. Whenever I finish a mix, or an entire album, I always think, "But what if we'd had more time?" We could explore more possibilities. We could spend longer on a mix. Track more vocal takes, looking for the magical performance. Maybe the artist should have practiced more? Should we have taken a few days off between tracking and mixing? It seems as if every mix project I get ends up tracking overdubs up to the last minute, no matter how far in advance they book the session. But I also must be highly aware of the days allotted for sessions, and find ways to get the work done on time and at the highest quality possible.

When we plan to use a commercial recording studio we "book time." Our budget is dependent on how much time we estimate for a project. If we record at home, we might consider the sessions unrestricted by time, but we all know we have to "set aside" time in order to have the time to do the recording. Because music is an art based in time, it takes time to write and create, and it takes time to capture and manipulate in the studio. Do you have enough time to get done what you needed? Can the project be completed in time?

It all comes down to time. It always has and always will. How will you spend your time?


— LARRY CRANE,EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

Mark Ronson
Jan 19, 2015 NO. 105 Interviews

Mark Ronson: Uptown Special & Amy Winehouse

Mark Ronson got his start as a young DJ in NYC before going on to work with Amy Winehouse, Nikka Costa, Lily Allen, Macy Gray, Saigon, Adele, Paul McCartney, Duran Duran, and many others. Mark's own albums have showcased his work, featured many guest singers, and even spawned a hit with Winehouse's cover of The Zutons' "Valerie" in 2006. His recent album, Uptown Special, features vocals from Bruno Mars and lyrics by novelist Michael Chabon. Co-producer credits go to Jeff Bhasker, and even Tame Impala's Kevin Parker [ #95URL] makes an appearance.

Richard Dodd
Jan 12, 2015 NO. 105 Interviews

Richard Dodd

Even among recording, mixing, and mastering engineers, Richard Dodd's career has been a unique one, covering many styles of music. His work began in the early '70s and continues today. In that time he's recorded hits like (Carl Douglas') "Kung Fu Fighting," and artists such as Boz Scaggs, Stephane Grappelli, George Harrison, Clannad, Roy Orbison, Wilco, Green Day, Steve Earle, Delbert McClinton, Robert Plant, the Travelling Wilburys, Freddie Mercury, Placido Domingo, and the Dixie Chicks. On this occasion I had the opportunity to join a group of attendees at a Welcome to 1979 Recording Summit, where we had a listening party (off a DSD, Direct-Stream Digital, master) of Tom Petty's Wildflowers and then a live interview with Richard to discuss his mixing of this Grammy winning album.

Caribou
Jan 28, 2015 NO. 105 Interviews

Caribou: Dan Snaith at Home

The ease of modern music software has allowed for the creation of an abundance of average, homogenous, electronic records; but over the last 14 years, Dan Snaith's project, Caribou, has consistently s...

Russ Terrana
Jan 19, 2015 NO. 105 Interviews

Russ Terrana: Motown, Jackson 5, Stevie Wonder

It is truly remarkable to step back and examine the full societal impact that some recording engineers and mixers have had on American culture. During his 18-year tenure as Chief Engineer for Motown Records, Russ Terrana captured and crafted the sounds for many of the Detroit label's most iconic hits. He, in some ways, was just as revolutionary as the music he helped create. As a highly respected member of Berry Gordy's inner circle, Russ was an invaluable contributor to the Motown sound, engineering and mixing timeless tracks from The Jackson 5's "ABC" to Stevie Wonder's "Signed, Sealed, Delivered I'm Yours."

Mike Rutherford
Feb 1, 2015 NO. 105 Interviews

Mike Rutherford : of Genesis & Mike + the Mechanics

When Mike Rutherford steps in to his hotel lobby from the busy New York City streets, there's barely a stir. Though tall and remarkably unchanged from his days as the guitarist in Genesis and leader of Mike + the Mechanics during MTV's heyday, only a few people seem to notice that a rock star with 80 million-plus album sales under his belt is standing nearby, chatting amiably. By the time we make it to Rutherford's comfortable but modest hotel suite, he's loose and talkative, excited to discuss the new documentary (Genesis: Together and ApartURLhttp://www.veoh.com/m/watch.php?v=v78665528YFza6yzt) featuring all five members — Peter Gabriel, Steve Hackett, Phil Collins, Tony Banks, and Rutherford — of Genesis, as well as the band's 3-disc anthology R-Kive and the Mike + the Mechanics reissues and tour set for 2015.