Interviews
"How the Light Gets In": David J of Love and Rockets & Bauhaus
by Larry Crane
I caught up with David J. Haskins, a member of the influential bands Bauhaus and Love and Rockets, during a book tour for his new memoir, Who Killed Mr....
Interviews
Tuned Mic'ing: Phase Is Not A Problem
by Gabriele Ponticiello
As an audio engineer, you might decide to work with two or more microphones in order to generate an alternative tonal option for a source or else you might want to pick up a partial portion of the...
Interviews
Tony Green: Garage Jazz & David J
by Larry Crane
When I was setting up our interview with musician/producer David J, he asked if I had any interest in speaking with Tony Green, the engineer/recordist for his last few albums. I was going to be in...
Behind the Gear
Robin Ashley: Behind the Gear with Phoenix Audio
by Larry Crane
Phoenix Audio, maker of Class A, high-end audio tools for the studio, seeks to, "embody the classic British tone, but with a modern twist," which they successfully do. Since 1998, Phoenix has...
More From This Issue See more →
Oakland's Evil Wizard: Greg Wilkinson on a career devoted to recording the heaviest music around
by Scott Evans
For the past 11 years, Greg Wilkinson has recorded the Bay Area's crustiest punk/hardcore/grindcore/death metal/doom/black metal at Earhammer, his warehouse studio in West Oakland. He's also played...
The History of Ocean Way Studios & Beyond: Allen Sides' Endless Quest for Quality
by Larry Crane
Ocean Way Recording began in a garage in Santa Monica, California, in 1968, as a place to showcase owner Allen Side's custom monitors. From these humble beginnings the empire expanded to include...
Tony Green (bonus): Garage Jazz & David J
by Larry Crane
When I was setting up our interview with musician/producer David J, he asked if I had any interest in speaking with Tony Green, the engineer/recordist for his last few albums. I was going to be in...
David J (bonus): Love and Rockets & Bauhaus
by Larry Crane
I caught up with David J. Haskins, a member of the influential bands Bauhaus and Love and Rockets, during a book tour for his new memoir, Who Killed Mr....
Allen Sides (bonus): Ocean Way & Beyond
by Larry Crane
Ocean Way Recording began in a garage in Santa Monica, California, in 1968, as a place to showcase owner Allen Side's custom monitors. From these humble beginnings the empire expanded to include...
Sponsored
Columns See more →
End Rant
Making Records in the Age of PONO
by Allen Farmelo
We are witnessing the dawn of dramatic format changes for audio delivery. On the one hand, we now have streaming audio and, on the other hand, we have the movement away from compressed digital formats...
Gear Geeking
Gear Geeking #106
by Andy Hong
Allen Farmelo has been writing Tape Op gear reviews for a decade. His reviews are always engaging, educational, and importantly, inspirational. Allen always seems to find an arc up to a concept,...
Sponsored
Gear Reviews See more →
MicroBrute Analog Synthesizer
by Arturia | reviewed by Dana Gumbiner
Here is Arturia's affordable and highly desirable analog synth, the MicroBrute. The little brother to their MiniBrute synth, the monophonic MicroBrute has a new modulation matrix with control-voltage...
Tik Tik Tik: Four audio engineers hash out the merits of Mutec's new MC-3+ Master Clock
by MUTEC | reviewed by Matthew Agoglia, Alex DeTurk, Allen Farmelo
Master clocks are a near necessity if you own multiple digital audio devices that are interconnected. Sure, you can forgo a master clock and just chain one digital device to the next, each...
W2395c 500-series EQ
by Roger Schult | reviewed by
The W2395c is Roger Schult's second foray into the world of 500-series equalizer modules. His first design, the W2377, was essentially a repackaging of his mastering EQ, but in an unsurprising turn of...
The Big Trees tube amp & processor
by Audio Kitchen | reviewed by Al Lawson
Is it an amp or a pedal... or a DI... or outboard gear?!? The Big Trees really is all things to all people. Having used the Audio Kitchen Little Chopper guitar amp [Tape Op #82] a lot in the studio, I...
BC1-S stereo compressor
by TK Audio | reviewed by Geoff Stanfield
If you are new to the technique of mix bus compression, the simple explanation is that you are compressing the entire stereo (or multichannel) mix. A compressor on the mix bus (in addition perhaps to...
Magic AB plug-in
by Sample Magic | reviewed by Dave Cerminara
Magic AB is an easy-to-use and extremely practical plug-in that allows mixers (and mastering engineers) to quickly compare their mixes to commercial references. By inserting the plug-in post-master...
Quad Pro Thunder computer, Lynx LT-TB Thunderbolt LSlot card
by ADK Pro Audio | reviewed by Garrett Haines
I've written it before, and I'll say it again. If you want to purchase a Windows PC for professional audio work, you should have a professional audio integrator build your computer. The requirements...
V+ & Vocoder 5000 virtual instruments
by XILS Lab | reviewed by John Baccigaluppi
Reviewing the Roland VT-3 Voice Transformer [Tape Op #105], an effects unit that includes simple vocoder-like presets, really had me yearning for a device that could do true carrier/modulator...
CLA-2A & CLA-76 compressor/limiter plug-ins
by Waves | reviewed by Geoff Stanfield
"Hardware versus plug-in? Hardware versus plug-in?" Wring hands. Repeat. In the early days of digital emulations of classic pieces of hardware, the argument could easily be made that the digital side...
SDD-3000 Pedal digital delay
by Korg | reviewed by John Baccigaluppi
If every DAW in existence ships with several free delay plug- ins, why is Soundtoys EchoBoy one of the best-selling plug-ins on the market? Moreover, why would you want to spend your hard-earned cash...
Seville active ribbon mic
by Cathedral Pipes | reviewed by Andy Hong
At first glance, the Seville looks like an RCA Type 77 series mic that's been meticulously restored, recrafted, and repainted by a team on one of the various auto-shop reality TV shows. It has the...
Manley Variable Mu plug-in for UAD-2 & Apollo
by Universal Audio | reviewed by Garrett Haines
The Variable Mu Limiter Compressor from Manley Laboratories has been an industry standard for decades. ("Variable Mu" is even a registered trademark of Manley.) Inspired by the famous tube limiters...
D80 large-diaphragm dynamic mic, D82 ribbon mic, D84 large-diaphragm condenser mic
by CAD | reviewed by Larry Crane
When I gave a Project Studio Expo presentation in October 2014 at the Audio Engineering Society convention in L.A., my topic was "Where to focus on your studio gear when purchasing with a limited...
6030 Ultimate Compressor plug-in
by McDSP | reviewed by Tony SanFilippo
I think it's pretty ballsy to call something "Ultimate," but having relied on this plug-in for over a year, I do agree with the name. McDSP was one of the companies that early Pro Tools adopters clung...
Sponsored
Music Reviews See more →
Music Reviews
Stop Time
by Jon Regen | reviewed by
After hearing an advance stream of Stop Time, I asked our contributor, Jon Regen, to recount how his new album came to be, and what it was like to work with producer Mitchell Froom [Tape Op # 10]. I...