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Nov/Dec 2004

Welcome to issue #44 of Tape Op.

I've been visiting Amsterdam this past week, staying with some friends who live here. No, I won't regale you with any sordid tales of coffee shops and the Red Light District, but I did have a great time riding my rental bike all over town and drinking a fair share of witbier. One of the best things that happened was seeing my friends and clients Richmond Fontaine play at the Paradiso to an attentive audience. To get to see a band I've worked with on over three CDs winning over a crowd and selling copies of the albums we've made was a special experience. To witness this happening over 5000 miles from home is even more rewarding. It's good to know that all that time you put into making an album can sometimes catch the interest of listeners all over the globe. After the show we went out and drank too many beers, but that's another story...

Tot Straks!

PS: Visit www.richmondfontaine.com


— LARRY CRANE, EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

Doug Easley
Nov 15, 2004 NO. 44 Interview

Doug Easley: His dad digs Loretta Lynn

Easley McCain Recording in Memphis has been a fixture in the recording scene since the early '90s, initially with local records with bands like the Grifters, and later nationally with bands like Sonic...

Malcolm Cecil
Nov 15, 2004 NO. 44 Interview

Malcolm Cecil: TONTO Revealed

As a longtime synth geek, I sometimes wondered whatever happened to TONTO, the modular behemoth featured on Stevie Wonder's great seventies records Talking Book, Innervisions, and Fulfillingness' Firs...

Don Coffey Jr.
Nov 15, 2004 NO. 44 Interview

Don Coffey Jr.: The Art of Guerilla Recording

Don Coffey Jr. admits that he stumbled onto his career as a studio engineer by accident. From the early 1990s until last year, the 37-year-old native of Knoxville, Tennessee, was the drummer and drivi...