articles

Interviews, tutorials, etc. All about the art of music recording.

March 21, 2024

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July 13, 2022  |  No. 150

Sound of Music’s John Morand

by James Toth

If the mark of a great recording studio is the versatility and breadth of its clientele, you’d be hard-pressed to find a better candidate than Richmond, Virginia’s Sound of Music. John...

July 13, 2022  |  No. 150

Arthur Rizk

by Sam Retzer

It’s a snowy March morning, and I’m enroute to Corpus Studios in Queens to hang with Arthur Rizk. Arthur’s driven up from Philadelphia to chat before he works live sound at the...

May 14, 2022  |  No. 149

Theo Croker: Expose the Hero

by Geoff Stanfield

With two feet planted firmly in the jazz world, as well as tentacles reaching into hip-hop, R&B, ambient, world music, and experimental genres, Grammy-nominated producer, composer, and trumpeter...

May 14, 2022  |  No. 149

Roger Eno: Chasing Colours

by Larry Crane

I first heard Roger Eno via Apollo: Atmospheres and Soundtracks, the dreamy music written for the NASA footage-based documentary, For All Mankind. The album featured him collaborating with his...

May 14, 2022  |  No. 149

Glenn Brown: A Michigan Legend

by Andy Reed

Immersed in the world of recording since the age of 15, Glenn Brown wears many hats. With Michigan as his home base, Glenn has followed his Midwestern roots and developed an incredible work ethic....

May 14, 2022  |  No. 149

Jay Ruston: It’s All Subjective

by Avinash Mittur

Metal albums live in a perpetual battle between clarity and attitude, and Jay Ruston has become a go-to for heavy artists looking to toe that line. His productions harken back to an era of analog...

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