I thought I'd seen it all until I heard about collectors that pass around bootlegged copies of the test tones and bias pads from all genres of artists and albums. From an article in MOJO this month:
"Sorting their collections by "tones at head" or...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB
It’s hard to imagine a music software company...
Pitchfork TV (some spinoff of the horrible, snotty music crit site) has launched a series called A>D>D.
"The title for the series is based on the ADD/AAD/DDD codes that appeared on compact discs in the late 80s and early 90s, in which ADD...
In line with Andy Hong's list of gear (issue #66) he's reviewed in the past that he still finds amazing, here's a list of stuff I was using this last month that I think deserves special credit for the amount of times I fall back on these pieces and...
"First off, I really enjoy reading Tape Op. I have read it since I was in 8th grade (2001)."
I never imagined I'd get an email that began like this. I will be 46 in May. Tape Op entered its 14th year in April. Jackpot! Recording Studio is over 14...
Submissions are now being accepted for Silver Sound's 3rd Annual Music Video Film Festival + Band Battle, taking place on January 10th, 2012 at Brooklyn Bowl. Silver Sound is a studio in NY that provides production, post-production, and live sound...
Dear Tape Op Reader,
We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business.
Short version: We are cutting our ad rates nearly in half.
Why?
Here's the long version: Tape Op is an...
We got this letter from J. Robert Lennon, a sometimes contributor here at Tape Op. I figured I'd better answer it. -Larry Crane
"A thought struck me while I was reading Adam Kagan's very informative review of the Chandler Little Devil...