Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio.
The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing?
Music and Auditory illusions are discussed in the New Scientist
Tape Op is a bi-monthly magazine devoted to the art of record making.
Well known producer/engineer Roger Nichols is currently battling cancer, and we send him our best hopes and thoughts. Please visit his website.
George at MIX Mag had this to say:
ROGER NICHOLS NEEDS YOUR...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
Expect to see more changes in the music purchasing/acquiring habits of teenagers as time goes by. Courtesy of the NPD Group's press release:
"teens (age 13 to 17) acquired 19 percent less music in 2008 than they did in 2007. CD purchasing declined 26...
With news of Neil Young pushing to get studio quality audio out to the consumer, it occurred to me that it would be good to get some perspective on how we go about comparing audio quality. One of the most problematic issues surrounding audio...
So here's a pile of CDs I'm supposed to be listening to right now instead of enjoying The Skids' Sweet Suburbia album. Some of these I actually bought (so I should be enjoying them I guess) and some were handed over by friends (yes, the Scott...
Craig Schumacher, one of the country's best engineer/producers and our intrepid gear reviewer and former head of TapeOpCon has been dealing with head and neck cancer recently. He's doing better after treatment but needs help catching up on bills...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...