Some may remember us running excerpts from Phill Brown's book, Are We Still Rolling?, many years ago. We're proud to announce that Tape Op Books will be releasing Are We Still Rolling? this Fall. It's one hell of a read. In the meantime enjoy Phill's new website!
Tape Op is a bi-monthly magazine devoted to the art of record making.
There has been a heightened interest lately in using stompboxes and pedals as part of the mixing process. There are a few ways to interface your pedals with your system, but here is a quick video on how I do it using the Meris 440 500 series mic-pre....
In line with Andy Hong's list of gear (issue #66) he's reviewed in the past that he still finds amazing, here's a list of stuff I was using this last month that I think deserves special credit for the amount of times I fall back on these pieces and...
Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
I've said it before, and I'll say it again: Alan Parsons is one of the most talented engineer/producers out there and a hell of a nice guy. His Art and Science of Sound Recording DVD set is a great learning tool that we reviewed a while back. Now...
I dropped by Powell’s City of Books last night to say hello to Daniel Levitin and hear him talk about his new book, I Heard There Was a Secret Chord: Music as Medicine. I interviewed him in Tape Op #74 way back in 2009. There’s a lot of...
I'm posting this for John as he's finishing up the next issue of Tape Op. -LC
John Baccigaluppi's 2008 AES Surf Report This year's AES show in San Francisco was a lot of fun. The day before the show, I drove with our UK publisher Al Lawson and his...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997)
As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
So during the mixing of a project last month I asked the band who they had picked out to master their album. They told me about someone I'd never heard of who was doing the job for very cheap, and I said, "Good luck." When they forwarded a...