Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here. It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven...
What another great year for music! It is always a challenge to sit down, reflect and try to narrow down all our favorite albums of the year (let alone a full decade!) into a simple list. Here at Tape Op we are frequently making music suggestions...
by Larry Crane In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
John Cuniberti records artists in the "OneMic" series with a single AEA R88 stereo ribbon mic. Results? Impressive!
We're thinking of printing some bumper stickers to help promote the Tape Op brand name. Our ideas have included: "My Other Car is a Tape Op" "My Child is an Honor Student at Tape Op" "Honk if You're Tape Op" "I'd rather be reading Tape...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB It’s hard to imagine a music software company...
It's that time of year again! The Grammy nominations are out and it's always fun to see a bunch of folks we have interviewed in Tape Op on the list. Here are the nominee's for Best Engineered Album, Non-Classical: Lucky Daye...
Berklee College of Music sponsored a recent Tape Op newsletter and it got me thinking about music schools. In terms of my personal recording path, I learned on my own through trial and error and via mentors. You can read a little bit about that...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
