We interviewed Meridian Brothers mastermind Eblis Álvarez for Tape Op issue #158, and they have just released their new album, Mi Latinoamérica Sufre, featuring singles and videos "Sé Que Estoy Cambiando" and "Mandala".
I’ve been a fan of the band Nada Surf for several decades now. They’re one of the few bands from the 1990s that have continued to make catchy, smart, guitar-based pop music that also managed to stay relevant, releasing records in 2024...
Popular music owes a serious debt to Quincy Jones, and he rightly has a place on the list of greatest music producers of all time. He passed away November 3rd, at the age of 91.
I was listening to Quincy Jones before I even knew I was listening to...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
Everyone has been talking about Dave Grohl's new documentary Sound City a lot lately. That's cool; it's a fun romp of a movie, even if Dave can't decide whether he's making a film about a Neve console, a dying studio, a rock star jam session or an...
I often think about the relation of commerce and art. It's a convoluted one, but necessary. How could one continue to create the best art possible if they were destitute? They won't - they will be focused on survival instead. A recent...
For their eighth (!!!) release in three years, King Gizzard and the Lizard Wizard give the world Butterfly 3000. It is hard to know what to expect from this band of Aussies. They have spanned the genre spectrum with metal, garage-psychedelia,...
Australia has always had its fair share of rock and punk bands, and the tradition continues today with artists like The Chats, King Gizzard and the Lizard Wizard, and Amyl and the Sniffers, just to name a few.
Amyl and the Sniffers new...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...