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Blog
Getting it Right the First Time
by Geoff Stanfield
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime Read the whole interview with Brittany and Shawn HERE
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime Read the whole interview with Brittany and Shawn HERE
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
Legendary British sound engineer and producer Andy Johns has died at the age of 61. During his more-than-thirty-year career, Johns worked with some of rock music's biggest names, engineering records for Led Zeppelin, The Rolling Stones, Eric...
I recently have been digging through the Tape Op archives looking for writing, reviews and stuff we can post online. And I just found this snippet of hilariousness from Issue #7 in the Fall of 1997. Oh man, maybe I shouldn't post this... all...
Interviews, Stories, and the Truth by Larry Crane In Tape Op issue #53 I interviewed Brian Kehew and Kevin Ryan, authors of the then-recently released book, Recording The Beatles. One of the topics we discussed was interviewing...
Sometimes when artists release compilations of "bonus" tracks, or songs that were recorded for an album but were left off, it is quite obvious why. With Juana Molina's new EXHALO, this is not the case! Each track on this four song EP is...
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
Wade Baynham of The Second Story studio in Durham, NC, posted a nice piece about Ethan's End Rant in issue #88.
The worldwide COVID-19 situation is affecting us all at this moment. Years ago I was a gigging musician and restaurant worker, and I feel I essentially still live a gig economy life - depending on Tape Op and studio bookings for personal income....