I politely asked Youtube to remove a song by my old band that someone had posted without permission. They took it down but then apologized "sorry about that" and ran my business name as if "blaming me" for removing content. Really? Wow. Pretty damn impartial, huh?
Across more than 100 tracks, MEMPHIS captures Elvis from the earliest stages of his career at Sun Records/Memphis Recording Service to his final recordings in Graceland’s Jungle Room, with stops at other iconic studios such as American and...
Nilüfer Yanya’s LP Painless was one of my faves of 2022 with its blend of guitar based songwriting, her unique singing voice, and forward leaning production and arrangements. I’m pretty over the Roland Jazz Chorus guitar tones, but...
Art is Alive is a solidarity effort aimed at providing resources, spreading awareness and building connectedness within the artistic and creative freelance communities impacted by the 2020 COVID-19 pandemic. Created by artist Rhiannon Giddens, and...
Maybe its a party. Maybe its a dinner party. Maybe you run into people on the street. But you know the situation: You are with your significant other. And you run into another audio-type with his/her/its significant other. Instead of being...
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets. Let's...
Bassist, singer, and songwriter, esperanza spalding, (Tape Op #147) has just released new music, a collaboration with Brazilian legend Milton Nascimento. Milton + esperanza is a delightful listen that has foundational roots in Brazilian...
It's that time of year again! The Grammy nominations are out and it's always fun to see a bunch of folks we have interviewed in Tape Op on the list. Here are the nominee's for Best Engineered Album, Non-Classical: Lucky Daye...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
