I’m normally not that into live albums, but Nils Frahm is not a normal musician. I saw him play live in 2018 when I interviewed him for Tape Op, and it was hard to believe that he was the only musician on stage. Blending electronic elements...
Geoff Stanfield and Andy Hong add an update to the original Meris Mercury7 Reverb review by Adam Kagan.
GS: I am a fan of the Meris line of gear. They are a small shop who builds their high-quality modules in Los Angeles. I have reviewed the Meris...
Dear Tape Op Readers,
As you know many of our family, friends and colleagues on the East Coast have been hit hard by Hurricane Sandy last week.
Led by Ken Bogdanowicz of Sound Toys, several of our advertisers have joined together to help raise...
Over the last few years we've seen an explosion of online music services. Pandora, iTunes, Spotify, Rhapsody, Soundcloud and dozens of other platforms are touted as groundbreaking ways to deliver music to listeners. But this success is on the...
I recently wrote about Craft Recordings, a division of Concord Records, and their excellent vinyl (and CD) reissues. I have become a huge fan of their releases, especially the attention to detail and sonic quality of their pressings.
On December...
RZA releases A Ballet Through Mud, an orchestral work of 11 pieces performed by the Colorado Symphony Orchestra, and conducted by Christopher Dragon. Sam Retzer did an extensive interview with RZA in the most recent issue of Tape Op, discussing...
Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts...