Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts...
You saw it here first! In this video, we step into Adrian Quesada's (Black Pumas, Grupo Fantasma) Electric Deluxe Studio for an in depth breakdown of "Mentiras Con Cariño, the single from his latest release Boleros...
From reader David Matysiak: "I would love to talk to you about audio experiment that I've been working on. It's a project called Telephono. Based on the children's game where you whisper a message and it gets around a circle of people, then sounds...
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.] It’s a really smart idea to have a couple of fire...
I came across Blitzen Trapper's self-titled debut album back in 2003, and have followed their career and counted myself as a fan since. I interviewed the band's leader, songwriter, and producer Eric Earley about his 2020 release, Holy Smokes Future...
Dear Tape Op Readers, We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident. Our voices and collective action have never been more needed than right now. Human...
Tape Op contributor Thom Monahan dug up this gem. Enjoy!
For those that couldn't make it, we'd like to report that the Tape Op Party held during SXSW at the Beauty Bar on March 19th, 2010 was a freaking blast. We had a wonderful set by the band Quasi, DJ sets by Ian McLagan, Rebecca Gates, Richard Barone...
Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special...