Looking forward to seeing many of you at this year's AES convention in NYC!
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head-fi: n, audiophile-grade headphone systems.portable: adj, able to be easily carried. The record industry is about twenty-five years into a massive devaluation of its products. This devaluation is not due to some invisible calculus the way, say,...
Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op!Be sure to head on over to our YouTube channel and hit the subscribe and like buttons!Episode made possible with support from BURL...
Going through some archives I came across this priceless piece of history: its the rate card from the studio my friends and I used to go to. You can see it here:. After years of nagging, we did get him to discount our rate to $50 an hour,...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...
Larry Crane and Geoff Stanfield discuss mixing analog vs. in the box vs. a hybrid approach in the latest episode of Creative Recording With Tape Op! This episode is made possible with support from our friends at BURL Audio.
Pitchfork TV (some spinoff of the horrible, snotty music crit site) has launched a series called A>D>D. "The title for the series is based on the ADD/AAD/DDD codes that appeared on compact discs in the late 80s and early 90s, in which ADD...
After reading Larry's "Eliminate Variables" End Rant from last issue, I was compelled to write a response. Don't get me wrong, I agree completely with everything he said; so before you read any further, revisit the back page of issue #92. I...
As we close the page on 2010 and its miserable economy, there was one bright spot for music lovers: VINYL. That's right, vinyl. That analog medium that just won't die. According to Rolling Stone* vinyl sales were up in 2010....
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
