Take a look and listen below!
Read Tape Op's Interview with bandleader Eblis Álvarez.
Across more than 100 tracks, MEMPHIS captures Elvis from the earliest stages of his career at Sun Records/Memphis Recording Service to his final recordings in Graceland’s Jungle Room, with stops at other iconic studios such as American and...
Support the Future of Music Coalition! [donate!] The FMC is "a small, Washington, D.C.-based non-profit that fights to get musicians a seat at the table in debates about the future of music. FMC's HINT (Health Insurance Navigation Tool) program,...
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
Pitchfork TV (some spinoff of the horrible, snotty music crit site) has launched a series called A>D>D. "The title for the series is based on the ADD/AAD/DDD codes that appeared on compact discs in the late 80s and early 90s, in which ADD...
Musow Danse by Les Amazones d'Afrique is out now and was produced by Garrett Jacknife Lee. Read his interview from Tape Op #149. This pan-country, multilingual supergroup of amazing African women is powerful and so important. Their previous two...
It's no secret that we are serious Pink Floyd fans here at Tape Op. We have interviewed Floyd drummer Nick Mason, producer/engineers John Wood, Bob Ezrin, Alan Parsons, John Leckie, Youth, and Joe Boyd, and, of course, the band's...
Australia has always had its fair share of rock and punk bands, and the tradition continues today with artists like The Chats, King Gizzard and the Lizard Wizard, and Amyl and the Sniffers, just to name a few. Amyl and the Sniffers new...
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...
