BLOG | OCT. 28, 2025

West Virginia Snake Handler Revival: “They Shall Take Up Serpents”

West Virginia Snake Handler Revival “They Shall Take Up Serpents” marks the arrival of a landmark record, documenting the last snake handling church in Appalachia. Featuring hillbilly rock guitars, trance-like rhythms, and howling vocals, this album was recorded 100% live and without overdubs during Sunday service by Grammy-award winning producer, author, and Tape Op contributor, Ian Brennan (Tinariwen, Ramblin’ Jack Elliott, Parchman Prison Prayer).

Brennan states, “I’d sworn to stay far away from the snakes at the service, but instead they were waved in my face as they coiled in the preachers’ hands, and I crouched down at the foot of the altar tending to the equipment. The pastor soon was bitten and blood splattered, pooling on the floor. The female parishioners hurriedly came to wipe up the mess, and it instantly became clear just what the rolls of paper towels stacked on the pulpit had been for."

Brennan has a gift for capturing moments. To each his own, but this Sunday sermon/roadhouse blues show combo is one of the most terrifying and tripped out things I have heard in a long time.

The sermon begins with a possessed sounding preacher half yelling "In the name of Jee-zus-aahh" type incantations, all drenched in 1976 Lee Perry-worthy echo, then moves along into segments with titles like "I'm a Jesus Man", "ADHD Meds & Starbucks", "Rock and Roll Was Stolen By God By Satan", "Prepare for the Times of Famine", and "Television Soap Opera Battles", all backed by a Junior Kimbrough-esque hill country blues band whose members have had either wide ranging amounts of caffeine (none to a lot), been overtaken by the spirit, or are bleeding out from a snake bite. The perfectly imperfect recording captures the energy and fever in the room, and like many of Brennan's music documentary projects, sheds light on another music-related cultural happening that churns outside the mainstream. Well done Ian!

Purchase from Sublime Frequencies
Purchase or Listen on Bandcamp

Tape Op is a bi-monthly magazine devoted to the art of record making.

Or Learn More

MORE ENTRIES

Tame Impala: Deadbeat

BLOG

Tame Impala: Deadbeat

October 17, 2025

I love that the opening track, "My Old Ways", on Tame Impala's [Tape Op#95] new album, Deadbeat, starts with what appears to be a rough...
New Music From Madison Cunningham: Ace

BLOG

New Music From Madison Cunningham: Ace

October 13, 2025

It's always a treat when an album brings you right into its world from the moment you hit play. Such is the case with Madison Cunningham's...
New Music From Neko Case: Neon Grey Midnight Green

BLOG

New Music From Neko Case: Neon Grey Midnight Green

September 30, 2025

The new album from Neko Case [Tape Op #127], Neon Grey Midnight Green, is an adventurous listen that grew on me like fungus in a Florida swamp. It is...
New Fruit Bats Album: Baby Man

BLOG

New Fruit Bats Album: Baby Man

By Geoff Stanfield

September 16, 2025

Fruit Bats, the moniker of Eric D. Johnson's musical endeavors, has just released Baby Man. The album is follows the 2023 release, A River Runs...
New video from Yeemz on recording her track “No Trace”

BLOG

New video from Yeemz on recording her track “No Trace”

By John Baccigallupi

September 14, 2025

Yi-Mei Templeman is friend of Tape Op who records under the name Yeemz. She’s a songwriter and composer who plays cello, piano, banjo, guitar, and...
Larry Crane on the Revolutions Per Movie Podcast

BLOG

Larry Crane on the Revolutions Per Movie Podcast

By Geoff Stanfield

September 4, 2025

Larry Crane and the Revolutions Per Movie podcast host Chris Slusarenko chat about Pink Floyd: Live at Pompeii!They discuss the genesis and all the...
Justin Gray: Immersed

BLOG

Justin Gray: Immersed

By Matt Anderson

August 31, 2025

Justin Gray’s new album, Immersed, was created specifically for immersive surround formats, such as Dolby Atmos, with considerations beginning from...
About The Cover Art for Issue #167

BLOG

About The Cover Art for Issue #167

By John Baccigallupi

August 31, 2025

When we published issue #167, we, of course, credited Hazel Morishige for the cover art, but I forgot to credit the individual pieces of art that...
New Deftones LP: Private Music

BLOG

New Deftones LP: Private Music

By John Baccigallupi

August 26, 2025

The first time I saw Deftones live was at the Cattle Club, a small 250 person capacity club in Sacramento, CA, in the early 1990s. The Cattle Club was...