None of us exist in a vacuum. Building tracks, mixing, editing, and mastering can sometimes feel like a solitary existence, but it shouldn't always be so. As I write this, in April of 2020, the COVID-19 pandemic has affected the entire world. We've all been asked to work together, yet stay apart, in order to slow the spread of this deadly virus, and hopefully we can succeed.
In this spirit of working together, see my End Rant for this issue. And in the spirit of collaboration and support, I also offer a profile of my close friend, Craig Alvin. We started recording in the Portland area several decades ago, and the early years were full of long conversations, gear sharing, and lots of time spent helping each other out as we learned together. I still treasure his friendship and advice, and I am proud to have known him for this long.
Some 24 years ago I randomly ran into Craig in a bookstore [the famed Powell's, which you can still support by ordering online]; today we're still checking in all the time about clients, gear, albums, and life. To me, the fact that creative recording has brought the two of us together for this many years is a testament to what it means in our lives. This is what music means to so many of us – communication, emotion, sharing, and friendship.
Turkish street musicians
Let's hope that our world, and our creative lives, recover soon, and that music will once again facilitate a wonderful shared experience for us all. While music can, and does, thrive at home, it is still our communal spaces that will continue to be the heartbeat of our work. The day we can all gather together again in recording studios, clubs, record stores, and more will be a great one.
In the meantime, all of us at Tape Op are wishing you and yours health and safety.
Joining Abbey Road Studios as a runner at the age of 16, John Kurlander swiftly moved up the ranks to become a tape operator and assistant engineer. Working under the tutelage of Geoff Emerick [Tape O...
Having played drums, piano, and guitar in various bands and orchestras, Sam Okell undertook the exalted Tonmeister degree course in music technology prior to serving a placement year at Abbey Road Stu...
Paul McCartney lived in his house for two years. His mother was George Martin's music teacher. He is among a rarified group of five people (including Quincy Jones, Rick Rubin, and Greg Kurstin – Tape...
Larry Klein began playing bass at a young age, touring with famed jazz musician Freddie Hubbard, and has since gone on to produce records for Joni Mitchell, Herbie Hancock, Tracy Chapman, Shawn Colvin...
I'm a big fan of the last two Bon Iver albums, 22, A Million and i,i, so when I was in Los Angeles recently and the opportunity came up for a last minute interview with co-producer and collaborator BJ...
This story begins many years ago, in Portland, Oregon. It was 1996, and the first issue of Tape Op had just been released. In a quest to learn more, I had been devouring as many books and magazines ab...
I met Emily Wells years ago and we immediately hit it off, talking about gear and careers. She's released a number of albums of her unique compositions and excellent musicianship (her violin playing i...
Youthful and energetic at 76, Bob Langford is active in local politics and community affairs in his small town an hour north of St. Petersburg, Florida. But in the late-1960s he was part of the bustli...
When I first purchased an iPhone I was less than excited about most of the "extra" applications available. Games and other time-passing tools had no appeal to me. But when Peter Chilvers and Brian Eno...
For years Pea Hicks has carried a torch for the Optigan, a unique optical disc-powered keyboard from the '70s. His band with Rob Crow, Optiganally Yours, has released three albums. He's produced and s...