Will Killingsworth & Dead Air Studios

Interviews

Will Killingsworth & Dead Air Studios

By Sam Retzer and Meghan Minior

If you know a thing or two about punk and hardcore from the last few decades, you’ll know the name Will Killingsworth. His band, Orchid, brought unbridled passion to the ‘90s screamo scene, while Bucket Full of Teeth explored more noisy experimental fringes. From his Dead Air Studios in Amherst, Massachusetts,...

Jeff Zeigler

Interviews

Jeff Zeigler : Jeff Zeigler

By Dash Lewis, Kristie Krause

You’re likely already familiar with Jeff Zeigler’s résumé. He’s produced and engineered records by Kurt Vile, The War on Drugs [Tape Op#102], Laraaji [Read More →

Emily A. Sprague

Interviews

Emily A. Sprague : “I want to share music that shows how real life sounds.”

By John Baccigaluppi

Emily A. Sprague may be best known as the primary songwriter and vocalist for the band Florist, who have released five albums since...

Pete Min

Interviews

Pete Min: Getting Out of Your Own Way

By Larry Crane
Located in (yes) a former meat market, Pete Min calls Lucy's Meat Market in Eagle...
Outer Marker Records

Interviews

Outer Marker Records: Outer Maker Records

By Tom Edwards, Larry Crane
With the goal of releasing records recorded at the highest fidelity with minimal...
Liz Pelly

Interviews

Liz Pelly: Music Streaming: Helping People Think Less

By Felix Walworth, John Baccigaluppi
Liz Pelly is the author of the book, Mood Machine: The Rise of Spotify and the Costs of...

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JANUARY 25, 2026 INTERVIEWS
Goose with D. James Goodwin

Goose with D. James Goodwin

Connecticut-based Goose is a band with what might seem a meteoric rise into the public consciousness, but they have been building a loyal fan base the same way that artists like the Grateful Dead and Phish had before them, with nearly a decade of endless touring. Their latest release, Everything Must Go, and 2022's Dripfield, were both produced and engineered by D. James Goodwin [Tape Op #138]. I caught up with Goose frontman, Rick Mitarotonda and Goodwin to chat about the recording of Everything Must Go, capturing the energy of a live band experience, experimentation in the studio, and D. James Goodwin's quest to make the greatest jam band studio album of all time. This interview is also available as #107 of the Tape Op Podcast.

JANUARY 25, 2026 INTERVIEWS
Rob Evans

Rob Evans: Over the Moon with the Dave Matthews Band

Rob and I used to warm up for high school jazz band practices with an endless vamp of “Too Many Puppies” by Primus on drums and bass, respectively. In our small town of Waynesboro, Virginia, the turn of the ‘90s saw the thump of Led Zeppelin morph into the churn of Slint as we discovered the joys of home recording. Fast forward 30 years, and after two decades with the Dave Matthews Band, Rob has built a life within the recording studio. Working with the group on a number of studio and live releases – many at Dave's Haunted Hollow Studio – Rob has also helped to preserve the band’s massive archive of live recordings. Handling a large share of the production on their 2023 LP, Walk Around the Moon, one can’t help but wonder if Rob’s influence rubbed off on some of those harder rock grooves. We walked around Garden City, Long Island, to discuss Rob’s passage from basement to stadium.

JANUARY 25, 2026 INTERVIEWS
Jim-E Stack

Jim-E Stack

In 2025, Jim-E Stack (born James Harmon Stack) had three big releases out – Bon Iver's SABLE, fABLE, Lorde's Virgin, and Aminé's 13 Months of Sunshine – that he'd worked on as a producer and co-writer. Living in L.A., he's also worked with Charli XCX, Empress Of, Haim, and others. His attention to setting up open creative recording situations and following through to overseeing the mix process yields some amazing results.

COLUMNS

END RANT by Larry Crane
Who Do You Want To Be?
END RANT

Who Do You Want To Be?

Maybe I read it on the Tape Op Message Board, or maybe someone told me this tale, but it was many years ago: The band books studio time, shows up, sets up, runs through a take of their first song, and then asks the engineer, “How did that sound to you?” His reply, “It’s on tape.”  I was mixing an...

GEAR GEEKING by Andy Hong
Gear Geeking - Issue 171
GEAR GEEKING

Gear Geeking - Issue 171

I break down boxes pretty much every week. Thankfully, Styrofoam and other plastic-based packaging materials are nowhere near as ubiquitous as they were in the past. But that means studio gear, household items, and even large items like furniture come boxed or wrapped in extra layers of cardboard....

GEAR REVIEWS

Gear Reviews

ARC ON·EAR

BY ARC ON·EAR  |  reviewed by Scott McDowell

ARC ON·EAR is a hybrid headphone amp/DAC with built-in EQ correction for popular professional headphones. Like most audio workers, I do a ton of work while wearing headphones. Spending hours a day critically listening in headphones is a big part of my job. Whether I’m using the old Apple EarPods or...

Gear Reviews

Audio Nomad (book)

BY Audio Nomad (book)  |  reviewed by Larry Crane - editor

Subtitled Recording 2 Years in Morocco, I'm not sure if this book is a memoir, a travel story, or a remote-recording handbook, but it's certainly an interesting read. The author, Adrian "Ady" Parzentny, is an enthusiastically infectious sort, dragging us on a journey from Poland into Morocco while...

Gear Reviews

Brick Lane 500 Series compressor

BY Brick Lane 500 Series compressor  |  reviewed by Scott McDowell

Hey, did you hear that Cranborne Audio just dropped its first compressor? Every single unit this company designs is filled with so much amazing outside-the-box thinking. It’s inspiring. I’ve read about pulse width modulation compressors before, like the Great River PWM-501 [Tape Op #102] or the...

Gear Reviews

C151 small diaphragm condenser microphone

BY C151 small diaphragm condenser microphone  |  reviewed by Geoff Stanfield

As part of their new line of very affordable C Series microphones – aimed at both first-time buyers and seasoned engineers who want solid utility mics in the studio – AKG has released the C151. It is a small diaphragm condenser (SDC) microphone that is perfect for all sorts of applications. The...

Gear Reviews

Cab Mic guitar mic

BY Cab Mic guitar mic  |  reviewed by Daniel Ryan Morse

What’s the best kind of microphone for recording electric guitar? On first glance, this seems like a straightforward question, but dig in a bit and notice the layers of sedimentation. The pat answer is that you position a Shure SM57 or other dynamic mic on the grill cloth, pointed on or near the...

Gear Reviews

Dual Lock fastener strips

BY Dual Lock fastener strips  |  reviewed by Dana Gumbiner

The quick, five-word review: think Velcro, but not shitty. Okay, a few more words for the modern miracle of Dual Lock: I found this super-strong, reclosable/reusable fastening tape suggested on a few stompbox pedalboard forums, gave it a try, and have since become a little obsessed. Backed with an...

Gear Reviews

FutzVerb reverb plug-in

BY FutzVerb reverb plug-in  |  reviewed by Larry Crane - editor

I prefer not to use the phrase “sound design” in my music production, as it feels more like a term our colleagues in post-production use. But what I do like are plug-ins that can take a sound and completely morph it into something else. This native plug-in, FutzVerb, is based on McDSP's FutzBox ("a...

Gear Reviews

Land of a Thousand Sessions (book)

BY Land of a Thousand Sessions (book)  |  reviewed by Larry Crane - editor

At 750 pages, 30 chapters, and a whopping ten pounds, this hardcover book is literally one of the biggest I’ve ever read. Subtitled The Complete Muscle Shoals Story 1951–1985, Land of a Thousand Sessions covers the studio scene and all the sessions around the Muscle Shoals/Quad Cities region of...

Gear Reviews

LUNA 2.0 DAW

BY LUNA 2.0 DAW  |  reviewed by Dana Gumbiner

Universal Audio’s free DAW, LUNA, has a major update that just cleared the launchpad – LUNA 2.0 for both macOS and PC. It includes ARA 2 support, AI-infused instrument detection, and, if you own or purchase the LUNA Pro upgrade, a total of 29 UAD plug-ins, some new third-party ARA and MIDI effects...

Gear Reviews

M23 G2 & M30 G2 reference microphones

BY M23 G2 & M30 G2 reference microphones  |  reviewed by Geoff Stanfield

My studio space sounds pretty good. I have worked toward a balanced listening experience by utilizing space-specific sound treatments such as absorption and diffusion, keeping my monitors decoupled from my desk and their stands, and following all the usual recommendations for treating a room for...

Gear Reviews

My Life as a Studio Wife (book)

BY My Life as a Studio Wife (book)  |  reviewed by Larry Crane - editor

In October of 2011, I drove my rental car up to Ocala, Florida, to visit a recording studio icon, engineer Bruce Swedien [Tape Op #91]. Upon arrival, I met Bruce and his lovely wife, Bea, and knew I would have a pleasant time with these two warm, friendly people. This interview was a wonderful...

Gear Reviews

Ocean Way Studios Deluxe room simulator plug-in

BY Ocean Way Studios Deluxe room simulator plug-in  |  reviewed by Larry Crane - editor

Don Gunn favorably reviewed the original Ocean Way Studios plug-in [Tape Op #128] in 2018, and I've been using it constantly since then. Both the Deluxe and original versions allow us to place a "track" in a studio room via Re-Mic mode, adjust the mics, and have the ambience around the drums,...

Gear Reviews

OptoFET Dual Stage Compressor

BY OptoFET Dual Stage Compressor  |  reviewed by Adam Kagan

For the past two decades, Rupert Neve Designs has delivered a steady stream of innovative and powerful analog audio processors, including the Master Buss Processor [Tape Op #89], the Master Bus Transformer, and the Shelford, Newton, and Portico series. Naturally, my interest was piqued when I heard...

Gear Reviews

Polyphrase digital delay pedal

BY Polyphrase digital delay pedal  |  reviewed by John Baccigaluppi

I'm gonna say right off the bat that I'm not a pedal/stompbox collector, but I'm totally digging this Vongon delay. First off, it's beautifully built and cased in a solid walnut enclosure that looks more like a nice piece of furniture than a pedal, plus the knobs and sliders feel Buchla-esque to...

Gear Reviews

Qobuz music streaming service

BY Qobuz music streaming service  |  reviewed by Danielle Goldsmith

There has been a lot of talk lately about how music streaming platforms, such as Spotify, change the way we listen to and engage with music. As a sound engineer, it’s disappointing when the music I’ve worked on ends up sounding worse after it gets uploaded to Spotify. Their compression algorithms –...

Gear Reviews

Reel to Real Tales (book)

BY Reel to Real Tales (book)  |  reviewed by Jonathan Saxon

Los Angeles-based engineer Bob Wayne recently released Reel to Real Tales: Notes from Both Sides of the Recording Console to share his career experiences as an audio engineer, studio owner, and musician. This self-published book even comes with a cool custom Reel to Real bookmark with a piece of...

Gear Reviews

TBM-06 condenser mic

BY TBM-06 condenser mic  |  reviewed by Stefan Konstantopoulos

Joe Orlandi did not intend to build microphones when he retired from his 20-year career in the film industry. He started collecting musical instruments and building a commercial recording studio in his quiet corner of Ohio. His focus began to shift when he unwittingly bought a knock-off of a...

Gear Reviews

Temperance Pro reverb plug-in

BY Temperance Pro reverb plug-in  |  reviewed by Danielle Goldsmith

It’s always exciting when a company comes out with a plug-in that does something different and rethinks how we use some of our most fundamental tools. Eventide did exactly that with their new reverb, Temperance Pro. Loading up Temperance Pro into a DAW, it’s immediately apparent that it isn’t a...

Gear Reviews

TR-1000 Rhythm Creator drum machine

BY TR-1000 Rhythm Creator drum machine  |  reviewed by Stefan Konstantopoulos

Drum machines have defined and redefined several genres of popular music for nearly five decades. Many of the most recognizable electronic drum sounds originated in analog units manufactured by Roland in Hamamatsu, Japan. After six years of building pre-programmed models designed to accompany organ...

Gear Reviews

V1 dynamic microphone

BY V1 dynamic microphone  |  reviewed by Chris Koltay

The folks at Soyuz have been making noise for the last decade or so and releasing top-quality and extremely functional gear, presenting audio in a way that is both familiar and, dare I say, formally unique. I’ve been a fervent supporter since we crossed paths in the Before Times, and the brand...

Gear Reviews

Volt 876 audio interface

BY Volt 876 audio interface  |  reviewed by Dana Gumbiner

The 1U rack-mount Universal Audio Volt 876 audio interface is on the bench! The larger cousin to the rest of the affordable Volt interface range, the 876 brings quite a bit of additional fit and function to the family. Notably, the 876 can be used as an ADAT expansion unit and features completely...