Tinnitus

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Air & Mellow: Mellow

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The Mammals

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Air & Mellow: Air

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The Shins

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Howie Statland

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JULY 19, 2025 INTERVIEWS
Andy Johns

Andy Johns: Led Zeppelin, The Rolling Stones, Television & More

The history of recording music is half folklore. Tales of insinuation and glory have us turned around to the point where we don't know much about what really happened during most of the great recording sessions. Are those who don't know history doomed to repeat it? If only we were so lucky. We'd all like to make Sticky Fingers, we just can't seem to. True enough, most of us haven't had the band or the songs to get that kind of fierce air moving in a room in the first place. But let's say we did. What would all that sound become without the right person there to catch it, just so? Missed opportunity. Brilliance off-center. So how do we not miss these golden opportunities? Whom would we go to, to learn how to get music to stick to tape? Well, okay. From the first minute you talk with him, Andy Johns is quite a charmer. After five minutes, it's readily apparent why anyone from the Rolling Stones to Led Zeppelin would want Andy along for the session: He's a rare marriage of intelligence, quick wit and knowledge, with the even rarer quality of seeming non-hierarchical in his attitudes. Since he doesn't pull any punches, it's easy to see why you'd trust Andy in a critical situation. How lucky then that he's also a brilliant engineer. While he probably wouldn't like this terminology, let's face it: Andy Johns is a legend. He's recorded many of the records that modeled rock 'n' roll. "When the Levee Breaks", "Bitch", "Marquee Moon" and an array of other tracks containing some of the sounds that are touchstones for a whole generation of sound-recordists. And he did a lot of it while he was in his twenties. In spite of his prodigious output, it's quite possible Andy will never get his due. His older brother Glyn is also a legendary figure who cast a shadow over Andy in the public's eye early on. This abundance of family talent, a history of less-than-explicit album credits and eclectic producing jobs have made the Andy Johns saga an enigmatic one. I woke Andy up in the middle of the afternoon with a "bit of a cold". While he said he was feeling not "quite chipper", he then talked affably with me for a couple of hours. He was candid, to say the least, but never with the touch of malice that you often find in people who have been doing it for over 30 years. As the past fades, it might be impossible for any one of us to sort through all the lore. Everyone writes their own biography sometimes fashioned more for entertainment than history. Andy can't help being entertaining, but he knows his craft, and, in his own way, tries to set the records straight.

JULY 19, 2025 INTERVIEWS
Dave Hill

Dave Hill: Behind the Gear with Crane Song

David Hill is the owner and designer behind the company, as well as the owner of a recording studio with a lot of customized components, not surprisingly. Compressors, preamps, digital converters, tape machine components — David Hill has had a hand in designing gear that is fast becoming legendary in the pro audio industry.

JULY 19, 2025 INTERVIEWS
Glenn D. White

Glenn D. White: Acoustician and author

Glenn D. White has had a long and varied career in acoustics, sound reinforcement, education, studio design and piano and organ repair spanning over 40 years. He has worked with people such as Kearney Barton [Tape Op #83] (of Audio Recording, Inc.) and acoustics genius Paul Veneklasen — and he also did the sound for The Beatles at the Seattle Coliseum in August of 1964! He also wrote a textbook called, The Audio Dictionary (UW Press) that is now going into its third edition. All in all quite a range of experience for someone who was born on a wheat farm in Kansas and grew up on Queen Anne Hill in Seattle. With a wry sense of humor, he sat down and answered my many questions.

COLUMNS

END RANT

GEAR REVIEWS

Gear Reviews

2192 Master Audio Interface

by 2192 Master Audio Interface  |  reviewed by John Baccigaluppi

I've been wanting to get a high quality A to D converter into my studio for the past few years. When I saw the 2192 a year or so ago, it looked like it would be worth waiting for it to be released. After using it for the past month, I'd have to say it was definitely worth the wait. For starters,...

Gear Reviews

A-51 TT microphone

by A-51 TT microphone  |  reviewed by Garrett Haines

In Tape Op #37, I reviewed the ADK A-51 Model A, a modestly-priced large-diaphragm condenser. Although the Model A is a more affordable mic, the company offers a wide range of products including a top-of-the-line tube series. There are three variations of the ADK tube flagship: the TC (a fixed...

Gear Reviews

ADA8000 A/D/A converter/preamp

by ADA8000 A/D/A converter/preamp  |  reviewed by Larry Crane

Also known as the "Ultragain Pro-8 Digital," this unit is an eight-channel analog-to-digital, digital-to-analog converter with ADAT Lightpipe digital I/O and BNC word clock. Plus, it's also eight mic preamps! And it sells for $200 street price. Units from Apogee cost over ten times more, and...

Gear Reviews

AL-2 Stereo Microphone System

by AL-2 Stereo Microphone System  |  reviewed by Larry Crane

The AL-2 is sold as a matched pair of tube condenser mics with an external rackmountable power supply and cables. The mics are smallish, with 2.2 cm exposed of the diaphragm, and have light aluminum shells containing a 12AU7 tube and other high-end components. The mics kick ass. Curtis claims an...

Gear Reviews

ATR 700 2-track recorder

by ATR 700 2-track recorder  |  reviewed by John Baccigaluppi

I've had this deck for over 15 years, but it was only after hearing the archiving panel and Steve Albini at TapeOpCon2002 along with reading the article on IEC alignment in Tape Op # 29, did I drag it out of a back room, dust it off and start mixing to it. I probably would have sold this years ago,...

Gear Reviews

Bass PODxt

by Bass PODxt  |  reviewed by John Baccigaluppi

I have to state right off the bat that I really like the Line 6 effects modelers and use them all the time in the studio, but I don't really like their flagship product, the POD, for guitar tones. The sound seems to have some kind of "sheen" to it that I don't find pleasant, although I do kinda...

Gear Reviews

Cables, connectors, etc.

by Cables, connectors, etc.  |  reviewed by Pete Weiss

It's a nice story. A few years ago Planet Waves was a modestly successful company that made good-looking guitar straps. Then the J. D'Addario string company acquired it. Instead of being chewed up and spit out by the bigger company, Planet Waves was nurtured and encouraged to branch out into the...

Gear Reviews

Classic Console EQs

by Classic Console EQs  |  reviewed by John Baccigaluppi

As digital audio gets more affordable and more people enter the world of digital recording, more and more people will never know the world of analog audio and only experience it through software emulations of classic gear. Unique Recording Software's Bobby Nathan comes to the world of software...

Gear Reviews

CP10 Compressor/Sustainer pedal

by CP10 Compressor/Sustainer pedal  |  reviewed by Steve Silverstein

For a recent mix, I wanted to blend a crushed-and hopefully slightly damaged-version of a vocal in with the original. Conventionally one might use a Spectrasonics 610 or MXR Mini-Limiter for this purpose, but I lacked convenient access to either. Fortunately, I did find this pedal on my shelf of...

Gear Reviews

Debrox Earwax Removal Aid

by Debrox Earwax Removal Aid  |  reviewed by Steve Silverstein

A doctor informed me that my ears had an unusual build-up of earwax. I have no idea if frequently wearing earplugs or even allergies might have contributed to this problem, and my doctor did not suggest a possible cause. She did suggest a solution: these inexpensive, non-prescription drops. The...

Gear Reviews

Eureka preamp/compressor/EQ

by Eureka preamp/compressor/EQ  |  reviewed by John Baccigaluppi, Larry Crane

I've been curious about PreSonus products for a while, as PreSonus make a nice selection of lower-cost yet well- designed audio gear that is built in the U.S. The Eureka is a single-rackspace channel strip, with an optional 192 kHz/24-bit digital output. The first thing that struck me about this...

Gear Reviews

Firewire 410 audio interface

by Firewire 410 audio interface  |  reviewed by Alan Wilhelm

I have been using the M -Audio Delta series of cards for years now. They've always had a solid balance of features, sound quality and flexibility. The Firewire 410 is no exception. In fact it raises the bar quite a bit in both hardware functionality, and its software mixer/control panel. This card...

Gear Reviews

Holier Grail digital reverb pedal

by Holier Grail digital reverb pedal  |  reviewed by Pete Weiss

I had tried a friend's EH Holy Grail pedal and was surprised at how realistic the spring reverb setting sounded through a guitar amp. Great pedal to have, especially if you're using a reverb-less amp. But what about its big brother, the Holier Grail? Housed in the traditional Electro-Harmonix...

Gear Reviews

LA-22 dual channel compressor/limiter/expander

by LA-22 dual channel compressor/limiter/expander  |  reviewed by Éanna Cunnane

With so much inexpensive new gear being produced these days, and so much hype over a select few vintage units, it's easy to forget that there's plenty of reasonably- priced but obscure older equipment that's well worth picking up. One such piece is the UREI LA-22, which was produced in the late 80s...

Gear Reviews

M1290 microphone

by M1290 microphone  |  reviewed by Larry Crane

The Micros series from Audix are billed as the "world's smallest condenser microphones with integrated preamp and detachable cable." There are several variations on these small-diaphragm electret mics, as far as pickup patterns and SPL-level handling, but the units I received were the M1290...

Gear Reviews

Mercury 1-12 Class-A guitar amplifier

by Mercury 1-12 Class-A guitar amplifier  |  reviewed by Geoff Farina

The most noticeable aspect of the Mercury's pristine AC30-like tone is its focused low-end. This Deluxe-sized amplifier delivers a uniquely powerful and clear bottom even at low volumes. When run clean, the Mercury creates the illusion of a higher wattage amplifier with multiple speakers, and it...

Gear Reviews

NT1-A

by NT1-A  |  reviewed by David Barbe

The Rode NT1-A is another entry into the ever-growing field of affordable large-diaphragm condenser mics. It lists for $349, but I found $199 to be the common street price on the internet. Like others in this price range, it is a good, useful, no-frills mic. It is cardioid-only and has neither a...

Gear Reviews

NYS-SPP-L 1/4?? patchbay

by NYS-SPP-L 1/4?? patchbay  |  reviewed by Larry Crane

Because I started my studio on a tiny budget and without much professional experience, I never considered installing a TT (tiny telephone) patchbay, though sometimes I wish I had! Instead, I have 14 rackspaces (soon to add more) of 1/4'' TRS patchbays. Over the years, I've thrown out and given away...

Gear Reviews

sfz SoundFont VST sample player

by sfz SoundFont VST sample player  |  reviewed by Rich Hardesty

Though no longer as popular a sample format as it was just three years ago, the lowly SoundFont still has a strong legion of users worldwide sharing their home- made (or heavily borrowed) creations across the Internet. And why not? The format is lightweight, its files are relatively easy to create...

Gear Reviews

ßVERB digital effects processor

by ßVERB digital effects processor  |  reviewed by Jeff Foster

Over the past twenty years, I have used various digital effects, including units from Lexicon, AMS, Alesis, and Roland. The prices continue to drop and the quality seems to improve, yet I have been disappointed in the processors in the sub-$200 category. Surfing eBay, I was surprised to see a...

Gear Reviews

Studio Case software suite

by Studio Case software suite  |  reviewed by David Huber

For those of you on a budget who are looking to get into high-end, cutting edge digital audio... do I have a tip for you! Recently, Steinberg decided to bundle a "lite" version of their Cubase DAW along with "lite" versions of several VST synths, samplers, and beat instruments into a single package...

Gear Reviews

TG2 stereo microphone preamplifier

by TG2 stereo microphone preamplifier  |  reviewed by Mike Caffrey

I really like the Chandler TG2 preamp. It's a recreation of the EMI mic preamp found in the TG-series consoles, such as the one installed at Abbey Road. The TG2 is a single-rackspace two-channel unit. It's very well constructed with nicely laid out controls. The rear panel has all the standard ins...

Gear Reviews

US-122 USB Audio & MIDI Interface

by US-122 USB Audio & MIDI Interface  |  reviewed by Chris Anderson

The latest edition to the TASCAM home-recording line makes my heart patter with excitement for its simplicity, elegance, and power. Phantom power, that is. The US-122 is a blue and silver brick which feels so solid you could drop-kick it without any ill effects. Powered solely by the USB bus, the...