When I was in my early teens and started to get the listening bug, I went on a huge British pop/rock spree. Records by Elvis Costello, Squeeze, Lene Lovich, The Undertones and the Nick Lowe/Dave Edmunds/Rockpile camp were some of my favorites. Then I noticed they all listed an engineer/producer named Roger Bechirian in the liner notes. Some of these albums were destined to become groundbreaking pop classics (Elvis Costello's Armed Forces, Nick Lowe's Jesus of Cool, Squeeze's East Side Story) and they all had an appealing, unfussy, clean, and natural sound that ran against the grain of the gated reverbs of the day. The recordings always sounded like an amazing band was playing tracks like their lives depended on it. The drums were clear and dry-ish, with a perfect combination of tone and impact. The guitars and vocals sounded loud and close. The bass lines always popped through the mix, without being cloudy. And keyboards served to support the song, never getting gimmicky. No small feat in 1981! "Tempted" by Squeeze is a prime example. Listen to that today and try to tell me it sounds dated. It doesn't. It's a great song, arrangement and performance committed to tape in a completely appropriate, timeless way.
Roger was kind enough to provide Tape Op with an extensive catalog of archival photos capturing some truly candid moments from the making of these classic records. Please enjoy them, as well as some additional conversation from our interview in print issue #90!