What if we wrote this review in a 1940s radio announcer mode? Where every sentence is obnoxiously alliterative... “The minuscule monophonic Moog Music’s Mavis makes many massive melodies!...
With the introduction of UAD Spark, Universal Audio’s new subscription-based native plug-in collection, longtime UAD users (like myself) now have access to a subset of our existing go-to UAD...
Hailing from 1978, and peppered throughout several classic recordings in the ‘80s and ‘90s, the AMS DMX 15-80 S was the world’s first microprocessor-controlled, 15-bit digital delay...
Whenever my musician buddies or clients looking to start recording at home ask me what their first mic purchase should be, I often propose the Shure SM7B cardioid dynamic [Tape Op #36]. This...
This handsome little wood-sided box houses what is effectively Universal Audio’s first entry into the low-cost USB audio interface market, representing a bit of a paradigm shift for the...
I've been haunted by the EMS Synthi AKS3 since watching footage of Roxy Music on the Old Grey Whistle Test (British TV show) where Brian Eno [Tape Op #85] created a bubbling bed of exotic alien noise...
Here’s a new affordable, CPU-friendly, and intuitive distortion and saturation plug-in available for both Windows and Mac environments. Fold is from US-based indie developers Delta Sound Labs,...
This new box from Radial has saved my bacon. I’ve become a bit of an effects pedal hoarder, with a desktop pedalboard rig that has grown to an unwieldy size and become somewhat of a staple for...
Universal Audio recently entered the stompbox pedal market with their UAFX line of DSP-based analog-modeling pedals. Overall, this new trio of pedals is an exciting application of UA’s DSP and...
Held in high regard by many as the “ultimate analog drum machine,” Elektron’s Analog Rytm has been around since 2014, with the Mark II iteration arriving in 2018. The eight-voice...
Live 11 is here, with an abundance of new features and enhancements that distinguish Ableton’s DAW and production environment as indispensably unique, even as it deploys elements such as take...
I’ve established Studio One [Tape Op #86] as my primary mix and master environment these days, making the jump with the previous version (Studio One Pro v4.5) [#132] from other – ahem...
