Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

NO. 57

Stedman: SHH Studio Headphone Hanger

REVIEWED BY John Baccigaluppi

Anyone who's read my reviews in Tape Op has probably seen one of my "dealing with headphones in a busy studio sucks" rants where I complain about how my clients treat all my headphones like crap and throw them on the floor until they don't work anymore. Well, Bill Hannapel at Stedman must have read one of those rants too, because he invented this nifty little device that clamps on to most mic stands and provides a nice little hook to hang a pair of headphones. It even says "headphone hanger" right on it, so even the most stoned and drunk musicians can figure out...

  • NO. 57

    Audio-Technica: ATM450 side-address condenser

    REVIEWED BY Chris Garges

    Audio-Technica has just released a microphone that I've been waiting on for years. The ATM450 is a small-diaphragm condenser microphone. Audio-Technica makes several excellent small-diaphragm condenser mics already, but what makes this one different is its side-address design. The ATM450 is...

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  • NO. 57

    JazzMutant: Lemur multitouch surface controller

    REVIEWED BY Dana Gumbiner

    The Lemur is a unique, open-ended controller geared towards DAW and live-performance applications. The Lemur hardware is essentially a flat touch-screen interface (kind of like a tablet PC) which utilizes a proprietary "multitouch" technology, allowing one to use all ten fingers to...

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  • NO. 57

    PreSonus: DigiMAX FS 8-channel preamp

    REVIEWED BY Andy Hong

    When this unit arrived in my studio, my first assumption was that it was a "remix" of the DigiMAX 96 or LT, both of which are fine units and sound pretty good, especially for their price. But honestly, they're kinda boring. Eight preamps feeding eight A-D converters to...

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  • NO. 57

    Savage Audio: Macht 12x guitar amp

    REVIEWED BY Allen Farmelo

    Last winter, I got my hands on a Savage Macht 12x guitar amplifier and haven't tracked guitars without it since. For technical details and configuration options, visit the website. I'm going to focus on what it's like to record with this little 12 Watt, 6V6-driven, 1x12, tube combo....

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  • NO. 57

    Arturia: Analog Factory

    REVIEWED BY John Baccigaluppi

    I love the Arturia plug-ins and so does Dana Gumbiner. Between the two of us, we've reviewed every plug-in synth they've ever released. But as much as I think the plug-ins are amazing, I use them less often than I'd like because of their complexity and huge CPU hit. The graphics are...

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  • NO. 57

    Digidesign: Mbox 2 Mini

    REVIEWED BY Andy Hong

    The Mbox 2 Mini is the most compact of Digidesign's Pro Tools systems; it's almost exactly the same size as a stack of four CD jewel cases. It has some heft due to its robust metal enclosure; I wouldn't be afraid to lose it for a few days within the depths of my courier bag, where...

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  • NO. 57

    Arturia: CS-80V & Prophet-V software synths

    REVIEWED BY Dana Gumbiner

    I have fallen in love with a software synthesizer. I never thought it could happen to me. After long, fulfilling relationships with my analog synths (various Moogs, Rolands, etc.), I kinda brushed off most analog-modeling software synths as budget imitations, which is really snobbish and unfair, I...

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  • NO. 57

    Paul Morley: Words and Music: A History of Pop in the Shape of a City

    REVIEWED BY John Baccigaluppi

    This is the last book I ever bought at Tower Books on the corner of Broadway and Land Park Dr., before they and the entire Tower Records chain, which was started here in Sacramento, CA, went out of business this past Fall. In fact, Tower was started in the drugstore (Tower Drugs) that was located...

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  • NO. 57

    Buzz Audio: MA-2.2 TX mic preamp

    REVIEWED BY Chris Garges

    Having never used any Buzz Audio products before, I was intrigued at the prospect of checking out this 2-channel Class A preamp. The 1RU-height box features a nice array of front-panel controls for each channel: polarity reverse, 20 dB input pad, finely stepped gain knob (+16 dB to +65 dB), phantom...

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  • NO. 57

    Native Instruments: Audio Kontrol 1

    REVIEWED BY Rich Hardesty

    Native Instruments-a company whose reputation was built on software as opposed to hardware-just released their Audio Kontrol 1 into a market already crowded with affordable portable recording interfaces with excellent audio quality and reasonable flexibility. But rather than just follow the...

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  • NO. 57

    ADAM Audio: A7 active monitor

    REVIEWED BY Thom Monahan

    Over the last two years, mixing at The Hangar, John Baccigalupi's studio in Sacramento, I've come to rely on the pair of ADAM P22As that John has in the control room there. They've been just about my favorite monitors that I've ever used. They're accurate without being...

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  • NO. 57

    Propellerhead Software: Reason Pianos

    REVIEWED BY Josh Peck

    Creating a sample instrument is a seemingly straightforward task-record the sound of the instrument with great fidelity, and program a sleek and usable interface to trigger that recording. However, the breadth of styles and ambiences that a piano can have greatly complicates this task. Reason...

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  • NO. 57

    Rupert Neve Designs: Portico 5033 parametric EQ

    REVIEWED BY Andy Hong

    The more I use Pro Tools, the more I use outboard analog. I used to have a single table-high rack of outboard processors (not including all my preamps), but these days, I'm working with two racks full of analog processing. My latest addition is a pair of 5033 EQs from Mr. Neve's Portico...

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  • NO. 57

    Digidesign: Pro Tools 7.3 upgrade for HD, LE, and M-Powered

    REVIEWED BY Andy Hong

    As I write this, I'm just finishing up rough mixes for a project that I tracked and edited with Pro Tools HD 7.3. It's my favorite upgrade in recent years. 7.3 added so many crucial user-interface tweaks that it's far easier to get around a project, and it's even possible to...

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  • NO. 57

    China Cones: China Cones

    REVIEWED BY Garrett Haines

    China Cones are an isolation device used to decouple monitor speakers from the console, stand, or surface supporting them. Made of ceramic, the manufacturer claims China Cones vibrate in a frequency range outside of human hearing, making them a better isolation solution than brass or other commonly...

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  • NO. 57

    Drawmer: S3 multiband compressor

    REVIEWED BY John Baccigaluppi

    Almost 20 years ago, I was working for a recording studio that was owned by an FM radio station. One day, the Program Manager asked me if I wanted some gear the station was throwing away. They had just redone the transmitter and were tossing two Gregg Labs Tri-Band broadcast limiters that were part...

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  • NO. 57

    M-Audio: ProFire Lightbridge interface

    REVIEWED BY Andy Hong

    Wow. 34 inputs and 36 outputs via a single FireWire cable. 32 channels of ADAT Optical I/O at 44.1/48 kHz; 16 channels S/MUX'ed at 88.2/96 kHz. Two channels of S/PDIF I/O. Word clock in and out. Two balanced analog outs on TRS connectors with a level knob. Headphone out. MIDI I/O. And...

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  • NO. 57

    M-Audio: Sputnik multi-pattern tube mic

    REVIEWED BY Joel Patterson

    There's hype, and then there's hype... and then there's HYPE. No buzzwords have been spared in the promotion of M-Audio's new tube microphone, the Sputnik. "The end of microphone envy," with its saucy overtones, is supposed to say it all. It's compared to...

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  • NO. 57

    Chandler Limited / Abbey Road: EMI TG EQ Mastering Pack

    REVIEWED BY John Baccigaluppi

    Abbey Road Studios along with their stateside partner, Wade Goeke of Chandler Limited, are continuing to make some of the great sounding early audio gear from the EMI empire available to us common folk. Wade's hardware is amazing, but the plug-ins are also surprisingly great. The EMI...

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