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May/June 2001

Welcome to issue #23 of Tape Op.

Welcome to issue 23 of Tape Op! I just worked a 12 hour day and it's 1 AM and I'm pretty tired. I'm writing this from Seattle as I'm nearing the end of a tracking session for the new Walkabouts album at Studio Litho (where Tchad Blake did the last Pearl Jam record!). I'm working with a band I've been friends with for years and really enjoy musically. I'm also using some amazing gear for the first time, like an API console and a Studer 24-track. Things are sounding pretty damn good, and I'm getting a lot of input into the feel of the tracks. The hardest part is getting Tape Op done in time (sorry John!) and managing Jackpot! Recording from another town. Plus I miss my girlfriend terribly, and I wonder how easy it will be to take jobs away from home in the future, though I'm sure I will choose to. Sometimes I think this is crazy, but I really don't want to go back to waiting on tables. Like I said in the letters section, this isn't a job that you choose, it chooses you instead. I'm gonna go to bed now — I'll see you next issue.

-Larry Crane

PS: Thanks to the Walkabouts for hiring me, Floyd for helping, Jason and Emily for housing me, and Jane for waiting for me... 


IN THIS ISSUE

Matmos
May 15, 2001 NO. 23 Interview

Matmos

If I told you Matmos made audio cut-up, experimental, electronic music that closely parallels conceptual art, you'd probably write them off as some snobby, avant garde, artsy-fartsy, black turtleneck...

John McEntire
May 15, 2001 NO. 23 Interview

John McEntire

John McEntire is known for many personas. Some see him as a musician, having played drums and other instruments in bands like Bastro, My Dad is Dead, Red Krayola, The Sea and Cake, Seam and, of course...