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Mar/Apr 2002

Welcome to issue #28 of Tape Op.

This issue marks the sixth year Tape Op has been publishing, and that's something I'm very proud of. John Baccigaluppi has been my partner in this since issue #11, and without his hard work and skills I seriously doubt I would have kept doing the magazine. It takes a lot of my energy and time just to deal with the editing, emails, discussing stuff with writers and other tasks — and I still think of myself more as an engineer and studio owner than an "editor". I'm just grateful we've built this team around us, with John handling so much of the "publishing" work, Laura Thurmond helping us sell ads, all of our freelance writers who selflessly donate their time and sweat in getting these articles and reviews done, and, last but not least, the many advertisers who have given us a chance and run their ads with us which makes this whole venture work. Tape Op is young, and it's certainly the underdog of the "recording magazine" world, but what we have in place is a reader-supported, grass roots look at the "real" world of making albums and music. I think we will persevere and help change the way people look at our work and maybe even help advance the art of recording in general. And that's what this is all about to me!

Larry Crane

PS: I hope I'll see many of you at the first ever Tape Op Conference in late May. See www.tapeop.com for details!


— LARRY CRANE,EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

Rafter Roberts
Mar 15, 2002 NO. 28 Interviews

Rafter Roberts

Almost everything of note that's come out of San Diego for the last few years has the name "Rafter Roberts" on it somewhere. Besides being the local master of mastering, Roberts has also been recordin...

Dalek
Mar 15, 2002 NO. 28 Interviews

Dalek: Hip-Hop from space?

It's not everyday you hear a band that makes music unlike anything you've heard before. When I first heard Dalek it made me feel really good to know that someone was making truly challenging music. Wh...

Build a Plate Reverb
Mar 15, 2002 NO. 28 Tutorial

Build a Plate Reverb: Building Your Own Plate Reverb!

(Disclaimer: This article is missing images and parts list. The writers originally offered up a kit of parts and stopped doing so many years ago. This is an incomplete article and please do not email the magazine for more information.) Plate Reverb. Many people ask me about this and I usually tell them to listen to some records from the '70s and '80s and look for reverb with a thick, pillowy sound that doesn't obscure the vocal yet doesn't quite sound like an actual room. The sound itself, as you'll see, is created through mechanically vibrating a plate of steel, picking up the decaying vibrations and re-amplifying them — much the same way a spring reverb works. They're hard to find used these days, and we were lucky enough to hook up with Bob Buontempo and obtain a reworking of his article from 1983, originally written for Modern Recording and Music. Thanks Bob and Joe!