Interviews
Stuart Sikes: White Stripes, Loretta Lynn, Cat Power, more...
by Frank Pittenger
Artist/Recordists
E of The Eels: Remasters and more guitars
by Larry Crane
Mark Oliver Everett is the one constant behind the Eels, an L.A.-based "group" that's been releasing record since 1996. His work always carried a "studio savvy" sheen to my ears, so when I heard...
Interviews
Fix it Before the Mix #3: A Stitch in Time Saves Nine
by Chris Stamey
Interviews
Headgear: A Brooklyn Studio Survives
by Kevin Smith
Williamsburg, NY's Headgear Recording has played host to a number of Brooklyn's best and perhaps most innovative bands including the Yeah Yeah Yeahs, TV on the Radio, CocoRosie, Au Revoir Simone,...
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John Keane: Recording R.E.M. and teaching Pro Tools
by Bart King
John Keane, who arguably has had a greater influence on the Athens, Georgia, music scene than any other single engineer or musician, says he "kind of fell into" his role as the city's first studio...
Björn Yttling: The "B" in Peter, Bjorn, and John
by Thom Monahan
Björn Yttling is standing in my studio manhandling a Moog. He's not getting what he wants out of my old Realistic MG-1 that I've had since high school, but that's no surprise as it's been in...
Kevin Barnes: aka Of Montreal
by Vijith Assar
Decades after the rise (and, arguably fall) of the B- 52's and R.E.M., the reach of the rock and roll Bethlehem that is Athens, Georgia can still be felt in contemporary pop. In 2005 the perennial...
Christopher Moore: Behind The Gear with Seven Woods Audio
by Nicolas Collins
Christopher Moore was the man behind the legendary Ursa Major Space Station (SST-282) as well as several other notable innovations in digital audio. Ursa Major was bought by AKG in 1985. Chris was...
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End Rant
Guilty as Charged
by Chris Camden
I stand before you and I swear to tell the truth, the whole truth, and nothing but the truth. So help me... I have abused Pro Tools. I have used it in ways that are extremely inappropriate. I have...
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Gear Reviews See more →
The Musician's Guide to Pro Tools
by John Keane | reviewed by Larry Crane
We reviewed the original version of this book in Tape Op #31, and back then I felt it really helped get me through my introduction to Pro Tools. Now, six years on, Digidesign keeps moving ahead with...
Making Records: The Scenes Behind the Music
by Phil Ramone w/ Charles L. Granata | reviewed by Larry Crane
Has Phil Ramone made some records? Yes he has-and classics at that. Just the cover alone shows CDs from Sinatra, Tony Bennett, Billy Joel, Paul Simon, Barbra Streisand, Ray Charles, Bob Dylan,...
Duet 2-ch FireWire audio interface
by Apogee | reviewed by Jeff Elbel
Apogee has designed Duet to fit the Apple world. At first glance, it's just a brushed-aluminum, paperback-sized case with a big knob on top. There's also a 1/4" headphone jack on the front, along with...
Elixir mic preamp
by Buzz Audio | reviewed by Chris Garges
About two years ago, I received a Buzz Audio MA-2.2 preamp to review for Tape Op (#57). After a while of using this preamp for the review, I fell in love with it, but by the time I had to return it, I...
AT8681 UniMix mic combiner
by Audio-Technica | reviewed by Chris Garges
I am a sucker for recording through outboard preamps direct to a recording device. I'm also a sucker for using a lot of microphones on a sound source. Sometimes these two loves can cause problems in...
Transducer
by SPL | reviewed by Andy Hong
I'm a sucker for innovative tools that allow for more efficient methods of working, especially when such tools afford you increased flexibility and therefore heighten creativity. My latest acquisition...
402-VLZ3 & 802-VLZ3 compact mixers
by Mackie | reviewed by Andy Hong
From professional multi-room facilities to bedroom computer rigs, the compact utility mixer is ubiquitous. Whether it's being used for its mic preamps and zero-latency monitoring facilities in front...
992EG 2-ch tube preamp
by LaChappell Audio | reviewed by Craig Schumacher
Once you've tasted boutique audio, you're definitely spoiled. A good piece of hand-made gear is like a fine meal at a gourmet restaurant-not food from a formula-based chain restaurant. So, like great...
M4 tube console
by TL Audio | reviewed by Roland St. John Perez
Despite staying somewhat under the radar as far as marketing and promotion in the US, the UK-based TL Audio seem to put considerable time, effort, and love into developing products that find many...
P-touch electronic labeling systems
by Brother | reviewed by Larry Crane
A few years ago, we splurged on a P-touch labeler for Jackpot!-a PT-1900/1910 for about $60. As anyone who freelances knows, labeling is important in the studio. Stumbling around in a barely-lit room...
ASC-V 500 equalizer
by Speck Electronics | reviewed by Chris Garges
For some time, Speck Electronics has maintained a reputation for making really excellent-sounding and flexible equalizers in what most consider to be a reasonable price range. I had an opportunity a...
RX Advanced restoration bundle
by iZotope | reviewed by Garrett Haines
For many years, the restoration software hierarchy was etched in stone. The top tier featured outstanding performance at a premium price (often costing thousands of dollars per application)....
BK-5A vintage ribbon mic
by RCA | reviewed by Allen Farmelo
Ever since the studio where I do my tracking (Mavericks in NYC) acquired a pair of vintage RCA BK-5A ribbon mics, I've become a big fan and have found a ton of uses for them. It's difficult to track...
BG No. 2 mic preamp
by DAV Electronics | reviewed by Scott Craggs
Awhile back, I was looking to augment my meager mic preamp collection, as I found myself not having enough "good" preamps to track a band all at once. I had read a lot of praise for the DAV Broadhurst...
Rack Writer dry-erase panels
by Rack Writer | reviewed by Garrett Haines
For our studio, this was like one of those (smacks forehead) "why didn't someone think of this sooner" inventions. After all, our console has a built-in scribble strip for dry-erase or grease pencils....
AT-02T Nomad & AT-CF94 tripods
by Dynatran | reviewed by
I recently learned that mic-clip thread adapters-typically called "Euro thread adapters"-fit onto standard camera tripods. This is good news if you are on a budget or have to travel with stands. An...
Dimension4 SpringTrap
by MSR Acoustics | reviewed by Larry Crane
The SpringTrap is described by its manufacturer as a "spring-loaded, triple cavity, ported Pistonic/Helmholtz bass absorber." It measures 46" high, with an 18" x 18" triangular footprint, and fits...
Liquid, Fluid, and Vapor plug-ins
by Audio Damage | reviewed by Dana Gumbiner
I first ran across the excellent Audio Damage plug-in line via analogindustries.com, the blog of Chris Randall (ex-Sister Machine Gun frontman). Chris is one-half of the company with Adam Schabtach,...
Morphine soft synth
by Image Line | reviewed by Dana Gumbiner
Here's a flexible additive software synthesizer from Image Line, the developers who made the nearly-ubiquitous FL Studio app. Morphine is a standalone application, VSTi, or Audio Unit plug-in for...
Liquid Mix
by Focusrite | reviewed by Andy Hong
Liquid Mix is a FireWire hardware controller and processor that utilizes Sintefex's Dynamic Convolution technology to offer emulations of classic and vintage compressors and EQs. 40 compressors and 20...
Follow the Music: The Life and High Times of Elektra Records in the Great Years of American Pop Culture
by Jac Holzman & Gavan Daws | reviewed by John Noll
In 1950, a nineteen-year-old college student with an interest in electronics met another student in his dorm who had a vast collection of folk records. Having not heard this kind of music before, Jac...
Viceroy 1x12 guitar amplifier
by Carr Amplifiers | reviewed by Geoff Farina
If you read my glowing review of the Carr Mercury in Tape Op #39, you already know that in my humble opinion, Steve Carr builds some of the best guitar amps on the market. So I was not surprised that...