Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
I received several CDs recently, notably the Monsters of Folk (Jim James, M. Ward, Conor Oberst and Mike Mogis) and Porcupine Tree's The Incident, that I really wanted to listen to but was unable to hear. Why? Because these promo discs were...
Hello Friends,
Yes the rumours are true! We are happy to announce the release of the Tape Op iPad app! And for those folks that are not Apple product users don't despair, there is an Andriod version coming soon.
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Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op!Be sure to head on over to our YouTube channel and hit the subscribe and like buttons!Episode made possible with support from BURL...
I'll bet if you asked any busy business owner or manager what they spend the the most time doing, it would be the art of telling people, "No." For years I've found this to be true in regards to running Tape Op Magazine. "No" may seem a negative...
This is a fascinating article about a brand new study in human auditory perception that is showing that there have been "naive" applications of mathematical formulas onto our understanding of human auditory perception. I cannot claim to...
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...