Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
A lot of you have probably heard the term “microphonic tubes.” But have you ever heard one in action? They actually turn into little microphones. (Hence the name).
So, this week I decided to replace the input tubes on my Manley...
I recently found myself diving back into the Little Feat catalog, and came across a documentary on the band's founder, guitarist, and frontman Lowell George, called Feats First - The Life & Music of Lowell George. Music docs, especially on the...
Eddie Ashworth dropped me a line about the work he and many other scholars are doing with the Art of Record Production folks. Be sure to read The Journal for the Art of Record Production online. It's densely full of articles, interviews, reviews...
Sick of this economy and its doom and gloom? Sick of bands saying they don’t have money to record? Sick of top 40 radio? I have the answer: do something about it.
Support independent musicians by going out and purchasing CDs from bands...
I've interviewed and enjoyed Alan Parsons' company a number of times over the years, and a while back he even cornered me at an AES conference and videotaped a quick interview about Tape Op. He claimed to be putting together a video about recording....
Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends...
Vist Udi Koomran's special website ("MUSIC ENTHUSIAST AUDIO ENGINEER, PRODUCER FROM TEL AVIV ISRAEL. RECORDING MIXING AND MASTERING ORIGINAL AND CHALLENGING MUSIC IS MY PASSION.") and check out a fantastic interview with Etienne...
I've said it before, and I'll say it again: Alan Parsons is one of the most talented engineer/producers out there and a hell of a nice guy. His Art and Science of Sound Recording DVD set is a great learning tool that we reviewed a while back. Now...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...