Check out the latest episode of our Creative Recording with Tape Op video series. Tape Op's editor, Larry Crane, and our online publisher, Geoff Stanfield discuss the oft-debated topic of how to pan the drums when mixing!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
A year ago I read this quote from self-proclaimed expert music biz blogger, Bob Lefsetz:
"We live in a lo-fi era. You can focus on sound quality, but most people can't hear it. There's a chance hi-fi is coming back, but do you really have...
Photo: Larry Crane
The recent passing of Ed Cherney sent me to my archives. I'd interviewed Ed many years ago and he asked me not to run it. We went back and forth about it, and I never understood why he didn't want this interview in Tape Op....
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
For those that couldn't make it, we'd like to report that the Tape Op Party held during SXSW at the Beauty Bar on March 19th, 2010 was a freaking blast. We had a wonderful set by the band Quasi, DJ sets by Ian McLagan, Rebecca Gates, Richard Barone...
We interviewed Meridian Brothers mastermind Eblis Álvarez for Tape Op issue #158, and they have just released their new album, Mi Latinoamérica Sufre, featuring singles and videos "Sé Que Estoy Cambiando" and...
Tape Op editor Larry Crane to do book reading and signing in Portland
Friday, August 15th @ 7:30PM at Powell's City of Books on Burnside, 1005 W Burnside (800) 878-7323 http://www.powells.com/info/places/burnsideinfo.html
Featuring readings from...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...