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We interviewed Sarah Jarosz for Tape Op #140, for the Tape Op Podcast, and an episode of DISCussion!
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
Released in 2024, Mdou Moctar's Funeral for Justice is a raucous, distorted guitar-driven album that, along with bands such as Tinariwen, turns the idea of "world music" on its head. The heavy tones of Moctar's guitar plus driving and trancey...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...
You've probably heard stuff about the stupid-loud Metallica album. Idolator rang me up for some comments. Check it out.
Craig Schumacher, one of the country's best engineer/producers and our intrepid gear reviewer and former head of TapeOpCon has been dealing with head and neck cancer recently. He's doing better after treatment but needs help catching up on bills...
We interviewed both Gareth Jones (Depeche Mode, Erasure) and Daniel Miller (Mute Records, The Normal) in Tape Op #110. Collectively they are Sunroof, and have just released Electronic Music Improvisations, Vol.3. This collection follows...
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head". Read the full interview HERE
Many Recording Studios use Apple OS-based machines. Those users know Macs can read Microsoft NFTS (New Technology File System) volumes, but not write to them. If your OSX studio needs to write to Windows NFTS, then you need a...
