Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head".
Read the full interview HERE
I've interviewed and enjoyed Alan Parsons' company a number of times over the years, and a while back he even cornered me at an AES conference and videotaped a quick interview about Tape Op. He claimed to be putting together a video about recording....
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership. Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
What another great year for music! It is always a challenge to sit down, reflect and try to narrow down all our favorite albums of the year (let alone a full decade!) into a simple list. Here at Tape Op we are frequently making music suggestions...
"I sent a package to you several months ago containing some music I asked you to evaluate for me. I respect your background and was hoping that you personally might allow for cutting out a spare hour to do me this favor. Since I never heard from you...
Bass player Herbie Flowers had a front row seat for some of the most iconic recordings of the late sixties and seventies. He played on a staggering number of classic albums from artists such as David Bowie, Elton John, George Harrison, Harry...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
Steve AlbiniRemembered by Larry Crane On Jan 19, 1987, I clambered aboard a yacht in Emeryville, CA, to interview Steve Albini and the band Big Black for BravEar Magazine, a conversation that unfortunately was never published due to the mag folding...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond. I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
In issue #62, Josh Boughey reviewed the Monome 40h, a minimalist button-and-light interface which can be used to run musical applications. It's absolutely captivating in its simplicity; I'm writing this as an outsider, but as far as I can tell, the...