Take a look and listen below!
Read Tape Op's Interview with bandleader Eblis Álvarez.
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...
I pulled short straw and had to go pick up the take out tonight (take away for our UK readers). The radio was set to NPR, so I let it alone. The announcer introduced a new segment called “Listen to This,” that features famous musicians...
I often think about the relation of commerce and art. It's a convoluted one, but necessary. How could one continue to create the best art possible if they were destitute? They won't - they will be focused on survival instead. A recent...
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
Musow Danse by Les Amazones d'Afrique is out now and was produced by Garrett Jacknife Lee. Read his interview from Tape Op #149. This pan-country, multilingual supergroup of amazing African women is powerful and so important. Their previous two...
Arooj Aftab's Night Reign Arooj Aftab is a four time Grammy-nominated artist we featured in Tape Op issue #157. With Pakistani roots, she sings in Urdu and English, and became one of my favorite vocalists the moment I saw her performing on a live...
I've pulled together a collection of recent thoughts I've had about the recording process. You can agree or not agree. The important thing is to use your ears, mind, and creativity to make great recordings. Recording equipment...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997) As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
By Pete Droge Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones." ...
