Interviews

Reviews, etc...

So, here's the REVIEWS section. Tape Op gets a lot of CDs, singles and (yuck) cassettes sent our way. Most of them are in a box behind my couch and are waiting to be traded in for Beatles CDs. Some of the rest are really good but I never can get a recording angle on them to use for a review. It seems that the music that I listen to the most is stuff I buy. It's just when I have to plunk down $15 on a new CD I feel like I better get my money's worth. Plus, although I'm fully mired in the "alternative" scene through recording, playing and the slant of this magazine, I'm darn sick of hearing "new" music that is devoid of tasty influences, interesting production, or (most importantly) good songs. I mean, c'mon! Haven't these artists and bands heard anything interesting to draw on other than fake cocktail culture, Nevermind, or the goddamned Pixies (Spoon is excluded here). I get bored real fast. Current favorites have been the few "reviewed" CDs, the Kinks, lots of Beatles, Robyn Hitchcock's Moss Elixir, Brian Eno & David Byrne's My Life in the Bush of Ghosts, all the Yo la Tengo reissues, and Elliott Smith's new CD, Either/Or (of course). I see no need to inundate my dear readers with glowing "reviews" of every new release in order to get my "free" piles of CDs from these crazy record labels. There are some awfully tasteful record companies out there, like Merge, WIN, Grand Royal, Bong Load, Road Cone and Matador, who also (sometimes) happen to take out ads in Tape Op. They are beyond reproach and deserve your patronage. Plus they put out records that are listenable and interesting. Really. Okay... Here's a few ideas about some stuff that's out there:

THE VELVET UNDERGROUND

Loaded: Fully Loaded Edition (Rhino)

Even though it's the worst VU album, there's still an interesting aura around Loaded. It was recorded without Maureen Tucker on drums, the first in a pile of mistakes, and many of the songs were tracked with Doug Yule on drums, Lou Reed playing guitar and "singing", and Sterling Morrison playing guitar or bass. They would then overdub more guitar, bass, vocals, piano and such. This deluxe, 2 CD, set has tons of outtakes, alternate versions, and alternate mixes. Listening to all this stuff gives one a picture of all the activity going on around the making of an album--different versions of songs being worked up in rehearsal/demo situations, rough basic tracks recorded but never overdubbed on, finished songs left off the final record, mixes that weren't used (some you can tell why!) and final editing horrors (like the "Sweet Jane" bridge they restored here). Loaded was a flawed album in many respects, and much of it should be attributed to Doug Yule's ridiculous guitar overdubs, always filling any space with a "solo" that could have never slipped out of Sterling or Lou's hands. This is all good warning to anyone trying to record. Remember the economy and "feel" of the other VU records and take heed. Great songs don't need unnecessary adornment and zealous playing — they're already great songs.

ATARI TEENAGE RIOT

Burn, Berlin, Burn! (Grand Royal)

MORE INTERVIEWS

Hidden Musics
INTERVIEWS · ISSUE #175 · Sep 2026

Hidden Musics

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By 2014, I'd already been transitioning for more than five years from working in traditional studios to almost exclusively doing field recordings overseas. As a result, I'd had some success with groups like Tinariwen, Malawi Mouse Boys, and The Good Ones. At that point, the...

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INTERVIEWS · ISSUE #175 · Sep 2026

Yves Jarvis

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Joe Boles
INTERVIEWS · ISSUE #175 · Sep 2026

Joe Boles Seattle Recording Pioneer

By Alex Kostelnik

In the mid-1950s, Seattle was host to the little-known music recording legacy of Jay F. "Joe" Boles. A fraction of his discography includes The Ventures, The Wailers, Cab Calloway, Big Jay McNeely, Buck Owens, The Fleetwoods, Robert "Bumps" Blackwell, Ella...

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INTERVIEWS · ISSUE #175 · Sep 2026

Rostam Batmanglij Sonic Cinema

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Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire...

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INTERVIEWS · ISSUE #175 · Sep 2026

Melina Duterte Sharing Curiosity

By Danielle Goldsmith

Melina Duterte began recording her own music armed with little more than a laptop, a budget mic, and a fascination with how records are made. As Jay Som, she crafted a distinctive sound defined by textural, layered guitars, and soft, intimate vocals. Since then, Duterte has expanded...

Oli Jacobs
INTERVIEWS · ISSUE #175 · Sep 2026

Oli Jacobs Friends & Commitment

By Larry Crane

A graduate of the Tonmeister course, a former Head Engineer at Peter Gabriel’s Real World Studios [Tape Op#63], and now an in-demand mixer, engineer, and collaborator with Jack Antonoff and Laura Sisk [#135], Oli Jacobs has had a heck of a career path. He’s worked on records for artists...