Interviews

J.J. Blink & Phil Paske : Behind the Gear with RMGI, Recordable Media Group International

About an hour's drive across the Netherlands from Amsterdam sits the city of Oosterhout. In Oosterhout is where you'll find RMGI, Recordable Media Group International, one of two places in the world (along with ATR Magnetics in the US) still making audiotape for professional use.

RMGI resides in a factory built by Philips in 1968, which later joined with DuPont as PDM (Philips Dupont Magnetics) through 1993. After this date the plant ran under the banner of Magnetic Products Oosterhout, and in 2004 became RMGI. Where this factory once employed 900 people through a major contract with IBM, now 33 people work here making analog tape. In 2004, RMGI purchased the assets and techniques for audiotape production from the EMTEC Munich plant, allowing them to produce professional recording tape based on the popular AGFA/EMTEC/BASF formulations. I was asked to come visit theRMGI factory and meet the people behind this venture. Along with the men who import and distribute RMG tape in the US, Phil Paske and Don Morris, were Chief Executive Officer J. J. Blink and Ir. M.C. van Houwelingen, the Chief Technology Officer of RMGI — people with long histories in the production of tape in Europe. In order to understand how analog tape made specifically for audio recording has become a rare beast, one must look at the changes that digital storage mediums have brought about. The manufacturing of analog tape used to be a huge business, with audiocassettes and videotapes being the obvious markets that have shrunk. But the real changes for RMGI came about when the data systems, which once relied on analog tapes, were phased out.

J.J.: Nobody made profit on blank tape — the exception is the specialties. The normal video/audio business; nobody made a profit in the last fifteen years. So how long do you think we'll still make broadcast or studio profit? If the quality is good? What we need are those good, old engineers who tell you that they know that the SM 900 is better than when you use digital. [laughter] We still have to develop our business. We really want to manufacture this product — as long as we keep control of our costs. We have a very complex factory.

But jumping in with a new production line and making a product as difficult to manufacture as audiotape isn't easy. Touring this factory and witnessing the different stages and processes, one gets a better idea of the amount of technical knowledge required and the sheer amount of equipment needed to get the job done.

MORE INTERVIEWS

Hidden Musics
INTERVIEWS · ISSUE #175 · Sep 2026

Hidden Musics

By Ian Brennan

By 2014, I'd already been transitioning for more than five years from working in traditional studios to almost exclusively doing field recordings overseas. As a result, I'd had some success with groups like Tinariwen, Malawi Mouse Boys, and The Good Ones. At that point, the...

Yves Jarvis
INTERVIEWS · ISSUE #175 · Sep 2026

Yves Jarvis

By Geoff Stanfield

Yves Jarvis is the moniker of Canadian musician Jean-Sébastien Yves Jarvis. His latest release, All Cylinders, won Canada’s Polaris Music Prize for best album of 2025, a record on which Jarvis wrote and performed all of the 16 tracks. Made entirely using Audacity and a half-broken...

Joe Boles
INTERVIEWS · ISSUE #175 · Sep 2026

Joe Boles Seattle Recording Pioneer

By Alex Kostelnik

In the mid-1950s, Seattle was host to the little-known music recording legacy of Jay F. "Joe" Boles. A fraction of his discography includes The Ventures, The Wailers, Cab Calloway, Big Jay McNeely, Buck Owens, The Fleetwoods, Robert "Bumps" Blackwell, Ella...

  Rostam Batmanglij
INTERVIEWS · ISSUE #175 · Sep 2026

Rostam Batmanglij Sonic Cinema

By Sam Retzer

Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire...

Melina Duterte
INTERVIEWS · ISSUE #175 · Sep 2026

Melina Duterte Sharing Curiosity

By Danielle Goldsmith

Melina Duterte began recording her own music armed with little more than a laptop, a budget mic, and a fascination with how records are made. As Jay Som, she crafted a distinctive sound defined by textural, layered guitars, and soft, intimate vocals. Since then, Duterte has expanded...

Oli Jacobs
INTERVIEWS · ISSUE #175 · Sep 2026

Oli Jacobs Friends & Commitment

By Larry Crane

A graduate of the Tonmeister course, a former Head Engineer at Peter Gabriel’s Real World Studios [Tape Op#63], and now an in-demand mixer, engineer, and collaborator with Jack Antonoff and Laura Sisk [#135], Oli Jacobs has had a heck of a career path. He’s worked on records for artists...